Moisés Moleiro - Joropo, for Piano

Josu Gallastegui - Piano (visit his channel for more Venezuelan little delights - https://www.youtube.com/channel/UC4FJ3udVdFmUDbmXNLaYLCw)

The joropo is a musical genre and traditional dance from Venezuela and Colombia. The origin of the joropo is Spanish fandango and Arabic melismatic music (group of notes sung on the same syllable).
According to the musicologist and researcher of Venezuelan and Caribbean music Rafael Salazar, consider that the fandango is a black-African fertile dance, originating from Guinea, which arrived in the Antilles from the dispersal of the slaves forcibly brought to America for the harsh tasks of agriculture and mining.
The first fandangos arrived in Caracas at the beginning of the seventeenth century, they were played in the evenings of the great cacaos in the capital's haciendas and were performed with instruments such as the bandurria, the harpsichord and the bandola.

Moisés Moleiro (1905-1979) was a Venezuelan Composer. He began his piano studies in his hometown. Moved to Caracas in 1922, he enrolled in the School of Music and Declamation in the classes of Salvador Llamozas and Vicente Emilio Sojo. His progress was so important that, in 1927, he won the first prize for piano performance. Since then he began his career as a soloist. He was one of the founders of the Lamas choir (1930), to which he continued to give valuable cooperation as a singer, sheet music copyist and composer. He was a member of the list of founding musicians of the Venezuela Symphony Orchestra, the Venezuelan Concert Association, the Caracas Athenaeum and the Venezuelan Association of Authors and Composers.
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