Carlos Chavez - Piano Sonata No.2

Hsuan Ya Chen - Piano
00:00 Lento Assai
09:16 Andante
17:39 Molto Inquieto

Carlos Chavez (1899-1978) was a Mexican Composer. Carlos had his first piano lessons from his brother Manuel, and later on he was taught piano by Asunción Parra, Manuel Ponce, and Pedro Luis Ozagón, and harmony by Juan Fuentes. After the Mexican Revolution and the installation of a democratically elected president, Álvaro Obregón, Chávez became one of the first exponents of Mexican nationalist music with ballets on Aztec themes.

In December 1928, Chávez was appointed director of Mexico's National Conservatory of Music—a position he held for a total of five years (until March 1933, and again for eight months in 1934). In that capacity, Chávez spearheaded three academias de investigación, two concerned with collecting and cataloguing indigenous music and its literature, and the third to study the uses of old and new scales.

During his time in New York City between 1924 and 1928, Chávez acquired a taste for the then-fashionable abstract and quasi-scientific music, as is reflected in the titles of many of his compositions written between 1923 and 1934: Polígonos for piano (Polygons, 1923), Exágonos for voice and piano (Hexagons, 1924), 36 for piano (1925), Energía for nine instruments (Energy, 1925), Espiral for violin and piano (Spiral, 1934), and an unfinished orchestral score titled Pirámides (Pyramids).

In 1938, he conducted a series of concerts with the NBC Symphony Orchestra, during a period of absence by the orchestra's regular conductor, Arturo Toscanini.
In 1940 he produced concerts at New York's Museum of Modern Art, and by 1945, Chávez had come to be regarded as the foremost Mexican composer and conductor.

Of his six symphonies, the second, or Sinfonía india, which uses native Yaqui percussion instruments, is probably the most popular.

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