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Richard Strauss: Tod und Verklärung (1942) Toscanini/Philadelphia

Richard Strauss
Tod und Verklärung, Op. 24

Arturo Toscanini, conductor
The Philadelphia Orchestra

Recorded on January 11, 1942
at the Academy of Music, Philadelphia

Toscanini's approach to the present score is quite revealing of his artistry, and we are easily reminded of the reason he was so revered on the podium. His interpretation of the score here is a marvel of expression and orchestral texture.

His ultimate dedication to the meaning of the original score, and his ability to put as much heart into the performance as he felt was required make this an exceptional performance in every respect. He clearly felt no need to hold back on the feeling, and the performance is as tender and meaningful as any to be found, including those by the composer himself. The dynamics here are remarkable. Toscanini begins at pianissimo as soft as a sigh, and elevates it to thunderous dimensions in the musical depiction of pain and struggle.

The present recording comes to our time in fairly worn condition. Our approach here is to do as little as possible and let the dynamic range of the performance come through without a lot of filtering or noise reduction. We have, however, opted to return the recording to its original level for the sake of accuracy.

Field acoustic and sonic restoration (2024): Paul Howard - The Yucaipa Studio

FIELD NOTE: TURN ENHANCEMENT SOFTWARE OFF!!

Since this is online streaming we know that users are hearing our work on cellphones, computers, pads, or laptops. All of these products come from the factory with sonic enhancement programs loaded as default. These programs are set that way primarily to jazz up the sound of multi track pop music, Hip Hop and video games. Most digital products are sold for how they look, surf the web, or play games, not for sonic accuracy. The first thing one should do with any computer or digital device is bypass the sound enhancement that comes with it if they wish to listen to classical music.

All of the aforementioned devices have menu settings which allow you to access your sound software and turn off enhancement. I have often received comments that describe artifacts that have nothing to do with our engineering processes, and invariably when I advise these listeners to turn off the software enhancement those issues go away.

Sonic enhancement and spatializers are not required for good audio performance in any medium; including movies, sports, music, or live sound, but they are almost certain to reduce performance. They introduce artifacts, delay, and filtering which often degrades sound quality for the listener and inject time and phase distortion.

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Видео Richard Strauss: Tod und Verklärung (1942) Toscanini/Philadelphia канала Restoration Archive
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Информация о видео
17 мая 2024 г. 19:00:45
00:23:22
Яндекс.Метрика