J. S. Bach - Pastorale in F Major BWV 590 (1/-)
Johann Sebastian Bach (1685-1750)
Pastorale (Pastorella) in F Major BWV 590
Mov. I: Andantino tranquilo
Pastorale refers to something of a pastoral nature in music, whether in form or in mood.
In baroque music, a pastorale is a movement of a melody in 3rds over a drone bass, recalling the traditional Christmas playing of pifferari (players of traditional bagpipes (zampogna) and reed pipes) in Italy. Pastorales are generally in 6/8 or 12/8 metres. Common examples include the last movement of Corelli's Christmas Concerto (op.6 no.8), the third movement in Vivaldi's Spring concerto from The Four Seasons, the Pifa movement in Handel's Messiah, the first movements of Bach's Pastorella (BWV 590) for organ and his Sinfonia opening part II of his Christmas Oratorio as an introduction to the angelic announcement to the shepherds. Scarlatti wrote some examples in his keyboard sonatas, and many other baroque composers, particularly French, used this technique.
Pastorales are still played in the regions of Southern Italy where the zampogna continues to thrive. They generally sound like a slowed down version of a tarantella, as they encompass many of the same melodic phrases. The pastorale on the zampogna can be played by a solo zampogna player, or in some regions can be accompanied by the piffero (also commonly called a ciaramella, pipita, or bifera), which is a primitive key-less double reed oboe type instrument.
Видео J. S. Bach - Pastorale in F Major BWV 590 (1/-) канала The30YearOldVirgin
Pastorale (Pastorella) in F Major BWV 590
Mov. I: Andantino tranquilo
Pastorale refers to something of a pastoral nature in music, whether in form or in mood.
In baroque music, a pastorale is a movement of a melody in 3rds over a drone bass, recalling the traditional Christmas playing of pifferari (players of traditional bagpipes (zampogna) and reed pipes) in Italy. Pastorales are generally in 6/8 or 12/8 metres. Common examples include the last movement of Corelli's Christmas Concerto (op.6 no.8), the third movement in Vivaldi's Spring concerto from The Four Seasons, the Pifa movement in Handel's Messiah, the first movements of Bach's Pastorella (BWV 590) for organ and his Sinfonia opening part II of his Christmas Oratorio as an introduction to the angelic announcement to the shepherds. Scarlatti wrote some examples in his keyboard sonatas, and many other baroque composers, particularly French, used this technique.
Pastorales are still played in the regions of Southern Italy where the zampogna continues to thrive. They generally sound like a slowed down version of a tarantella, as they encompass many of the same melodic phrases. The pastorale on the zampogna can be played by a solo zampogna player, or in some regions can be accompanied by the piffero (also commonly called a ciaramella, pipita, or bifera), which is a primitive key-less double reed oboe type instrument.
Видео J. S. Bach - Pastorale in F Major BWV 590 (1/-) канала The30YearOldVirgin
Показать
Комментарии отсутствуют
Информация о видео
Другие видео канала
Telemann - Polish Concerto in G Major, TWV 43:G7 (2/4)J. S. Bach - "Ach wie flüchtig, ach wie nichtig", BWV 26 (6/6)J. S. Bach - "Ach Gott, vom Himmel sieh darein" BWV 2 (2/6)J. S. Bach - Cantata "Bleib bei uns, denn es will Abend werden", BWV 6 (2/-)Elgar - Enigma Variations, Op. 36 (3/-)Händel - Concerto Grosso Op. 6, No. 1 in G Major, HWV 319 (4/4)Elgar - Enigma Variations, Op. 36 (9/-)Corelli - Concerto Grosso Op.6, No. 7 in D Major (4/5)Telemann - Polish Concerto in G Major, TWV 43:G7 (4/4)Telemann - "Paris Quartet No.1 in D Major", TWV 43:D2 (2/3)Zimmer/Gerrard - "Now We Are Free" from "Gladiator"J. S. Bach - Trio Sonata in E flat Major BWV 525 (2/3)J. S. Bach: Matthäus-Passion, BWV 244, (9/-)J. S. Bach - Cantata "Wie schön leuchtet der Morgenstern", BWV 1 (5/6)Telemann - Polish Concerto in G Major, TWV 43:G7 (3/4)J. S. Bach: Matthäus-Passion, BWV 244, (5/-)Antonio Vivaldi - Concerto for two oboes in d minor RV 535 (2/-)Elgar - Enigma Variations, Op. 36 (4/-)J. S. Bach - "Ach Gott, vom Himmel sieh darein" BWV 2 (4/6)J. S. Bach: Matthäus-Passion, BWV 244, (4/-)J. S. Bach - "Ach Gott, vom Himmel sieh darein" BWV 2 (5/6)