Beethoven: Piano Sonata No. 10 in G Major, Op. 14 No. 2

Beethoven: Piano Sonata No. 10 in G Major, Op. 14 No. 2

This work is one of the representative compositions from Beethoven’s early stylistic periodof piano sonatas, written between 1798 and 1799. It was dedicated to Josephine von Braun (1765–1838), one of Beethoven’s patrons and a devoted admirer of music.
Overall, this sonata stands out for its clarity of structureand refined sense of balance, both characteristic of Beethoven’s style. It possesses an elegant and charming character, emphasizing musical wit, rhythmic vitality, and a bright, graceful moodrather than virtuosic display. The work beautifully reflects the gentle and amiable side of the young Beethoven.

00:00 I. Allegro, G Major, 2/4 time, Sonata form
The first movement is written in a light and clear sonata form. A bright and lively first theme is presented in G major, characterized by concise, conversational motifs. The ensuing transition heightens rhythmic tension and prepares the development, while the second theme in E-flat major provides a gentle and graceful contrast. The closing section features animated figures that conclude the exposition. In the development, thematic motifs are fragmented and explored through varied harmonies and modulations to build tension. The recapitulation returns the first theme in the home key, followed by the second theme in G major, establishing a sense of stability, and the movement concludes with a brief, spirited coda. Throughout, Beethoven’s characteristic logic, wit, and clarity shine within the transparent and lively progression.

07:17 II. Andante, C Major, 2/2 time, Variation form
The second movement is the first instance in Beethoven’s piano sonatas to employ the variation form. In Variation 1, the theme appears in the left hand while the right hand adds a syncopated counter-melody; Variation 2 features a distinctive rhythm with staccatos and rests; and Variation 3 subdivides the rhythm, adding vitality to the music.

12:35 III. Scherzo: Allegro assai, G Major, 3/8 time, Rondo form
The third movement is a lively and playful rondo, featuring a bright theme that recurs amid contrasting episodes. The theme unfolds with conciseness and vitality, while the middle section introduces rhythmic variations that create tension and contrast. Overall, the movement exudes clarity and exuberance, showcasing Beethoven’s characteristic wit and sense of balance, and concludes with a spirited ending.

■ Enjoying the Whole Movement https://youtu.be/y-AowrkDTvE

● Analysis: https://cafe.naver.com/suhkuyung67/2424
https://talk877.tistory.com/12

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