Julio Ituarte - La Ausencia, a song without words
Cyprien Katsaris - Piano
Julio Ituarte (1845-1905) was a Mexican Composer. He studied at the piano academy of Tomás León, later with the composer Melesio Morales, with whom he perfected harmony and counterpoint.
Ituarte left for Havana when he was twenty-one years old. In this city he gave concerts, with works by Franz Liszt, Frédéric Chopin and Sigismund Thalberg. Upon his return, he became a piano teacher at the Conservatory of the Mexican Philharmonic Society, from 1868 to 1885, and later, from 1897 to 1905.
As an arranger, he transcribed numerous operas for piano by composers such as Arrieta, Bizet, Campana, Morales, Petrella and Verdi, which were published in H. Nagel, and in A. Wagner and Levien, established in Mexico City. He was a prolific composer, writing zarzuelas, such as Sustos y gustos (1887) and Gato por hare. He composed various works for piano, some with a virtuosic style and melodic wit. His work Ecos de México (1880), cataloged as a 'mosaic of national airs' was recognized in Europe and applauded in the places where it was performed; This piece is about a nationalist work that takes up traditional Mexican melodies with a romanticist rhetoric.
Among his pupils were Ricardo Castro, Fernando Fierro y Vicente Lucio.
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Видео Julio Ituarte - La Ausencia, a song without words канала fyrexianoff
Julio Ituarte (1845-1905) was a Mexican Composer. He studied at the piano academy of Tomás León, later with the composer Melesio Morales, with whom he perfected harmony and counterpoint.
Ituarte left for Havana when he was twenty-one years old. In this city he gave concerts, with works by Franz Liszt, Frédéric Chopin and Sigismund Thalberg. Upon his return, he became a piano teacher at the Conservatory of the Mexican Philharmonic Society, from 1868 to 1885, and later, from 1897 to 1905.
As an arranger, he transcribed numerous operas for piano by composers such as Arrieta, Bizet, Campana, Morales, Petrella and Verdi, which were published in H. Nagel, and in A. Wagner and Levien, established in Mexico City. He was a prolific composer, writing zarzuelas, such as Sustos y gustos (1887) and Gato por hare. He composed various works for piano, some with a virtuosic style and melodic wit. His work Ecos de México (1880), cataloged as a 'mosaic of national airs' was recognized in Europe and applauded in the places where it was performed; This piece is about a nationalist work that takes up traditional Mexican melodies with a romanticist rhetoric.
Among his pupils were Ricardo Castro, Fernando Fierro y Vicente Lucio.
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Please support this channel
https://www.patreon.com/fyrexia
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