The two ways to approach making a box.

Imagine a box with no art: It would be optimized for volume, and probably have straight sides. Nail some boards together, throw your stuff in there, and call it a day. Your items are secure, but no joy comes from looking at it. Now imagine a box of pure art: perhaps its construction is a macaroni mandala. The box's surpassing beauty makes it feel sin-like to throw your stuff into it, but you do, as you marvel at the magnificence of your own design acumen; it cries out as a statement against societal norms and conventional thinking. This new expression resists definition as it allows the beholder to glimpse into the boundless limits of the human imagination. So you proudly finish shoving your effects into it and begin to carry it on your journey. And then the macaroni handle snaps, and your shit falls all over the floor.
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Oh, and speaking of having your noodle snapped, sorry about the footage of that Möbius strip. It needed an extra twist to be as one, so it may have messed with your head while you were thinking about it. If you didn't catch it, just compare it to the Escher and you'll see what I mean.

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