Sostegno-Appoggio in Operatic Singing - Caballé's Breath Control (7 examples)

Sostegno-Appoggio (Breath support) in Operatic Singing - Caballé's Breath Control (7 examples)

1. Caballé sustaining her breath for 22 seconds (holding a High A flat 'filato') - Donizetti's "Lucrezia Borgia", Prologo, Final Ensemble - New York, Carnegie Hall, 20 April 1965

2. Caballé singing a High B natural, in full voice, held for 15 seconds - Verdi's "Don Carlo", Final Scene - Arena, Verona, 2 August 1969

3. & 4. Caballé sustaining a phrase with a 20-second long breath containing a climb to High C, and then a phrase with a 10-second long breath containing a second climb to High C 'tenuto' - Bellini's "Norma", Act II, "Ei tornerà. Si" - Bolshoi, Moscow, June 1974

5. Caballé sustaining a phrase with a 19-second long breath (holding a High B flat from pianissimo, with crescendo, to full voice) - "Signore ascolta", from Puccini's "Turandot" - Gran Teatro del Liceo de Barcelona, 1975

6. Caballé sustaining a phrase with a 15-second long breath (climbing to High A natural 'tenuto') - Verdi's "Don Carlo", Act II, "Non pianger mia compagna" - Téâthre Antique d'Orange, 13 July 1984

7. Caballé singing a long note (G above the upper passaggio) in pianissimo with a 21-second long breath, ended with a climb to High B flat - Donizetti's "Maria Stuarda", Act III, Preghiera - Teatro del Liceo de Barcelona, 6 January 1979

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