Загрузка страницы

Sight Sound & Story - Behind the Lens: Shooting the Western Film

https://www.mewshop.com/ Contact: info@mewshop.com for information and inquiries on classes and events.

Sight Sound & Story: Live: Behind the Lens: Shooting the Western Film

Moderator: Sean Weiner (Director of the Creative Culture program at the Jacob Burns Film Center)

Panelists: Mihai Malaimare Jr. (The Harder They Fall," "Jojo Rabbit") & John Matyśiak ("Old Henry," "Meet Cute")​

Inside Episode XVII: The western is one of the most popular film genres in American film history. Beginning in 1903 with Edwin Porter's "The Great Train Robbery," the western portrays a time and look that is uniquely American. Join us for a fresh take on this classic film genre with Cinematographers Mihai Malaimare Jr. and John Matyśiak, as they discuss their creative process in filming "Old Henry" and "The Harder They Fall." Sean Weiner, who is the Director of the Creative Culture program at the Jacob Burns Film Center, will guide the conversation as well as show and discuss scenes from both films.

When: Thursday, January 27th, 2022
Time: 5PM EDT / 2PM PDT

Sponsored by:OWC, AJA, American Cinema Editors, ZEISS & Filmmaker U.
Director of Photography Mihai Malaimare Jr. is currently working on “Winning Time: The Rise of the Lakers Dynasty,” the biopic about the Los Angeles Lakers’ dynasty during the 1980s, set to release in 2022. Netflix’s action-packed Western "The Harder They Fall" is Malaimare’s most recent project, starring Idris Elba, Jonathan Majors and Zazie Beetz. Which was recently released late last year on Netflix.

Malaimare worked on director Taika Waititi’s satirical comedy "JoJo Rabbit" in 2019, which went on to win an Oscar for Best Adapted Screenplay. The film received acclaim from numerous film festivals, earning Malaimare Jr. the Hollywood Film Award for Cinematographer of the Year, as well as a nomination for the Golden Frog at Camerimage.

In 2018, his work on the film "The Hate U Give," directed by George Tillman, Jr. earned more than 20 awards and is regarded as one of the most critically acclaimed films of the year.

He is also known for his collaboration with Academy Award® winning writer and director Francis Ford Coppola on feature film, "Youth Without Youth," for which Malaimare received an Independent Spirit Award nomination for Best Cinematography. The two went on to collaborate on more films, including the drama feature "Tetro" and the surrealist genre film, "Twixt."

His burgeoning profile and evocative early work landed him a spot on Variety’s coveted “10 Cinematographers to Watch” list in 2007. Malaimare’s other feature credits include: Paul Thomas Andersons’ "The Master," which earned five Best Cinematography awards; "A Walk Among the Tombstones," "November Criminals," "Sleepless," and "Delirium."
Director of Photography John Matyśiak’s career has focused on shooting internationally recognized independent films, which have screened at over 50 festivals worldwide, including the Festival de Cannes. Matyśiak is widely admired for his arresting, contemporary images, which evocatively support and amplify his directors’ vision.

He recently shot "Meet Cute," a genre-defying dark comedy starring Pete Davidson and Hayley Cuoco, directed by Alex Lehmann and produced by Akiva Goldsman.

Prior to shooting "Old Henry," which premiered at TIFF 2021, Matyśiak achieved the Best Cinematography award at the 25th Los Angeles Asian-Pacific Film Festival for his work on the feature films, "Two Shadows" and "Model Minority."
As Director of Programs, Media Arts Lab, Sean Weiner leads the growth, overall strategic vision, and wildly talented staff of the education program and Creative Culture–an artist support program for emerging and established filmmakers guided by a philosophy of inclusion and collaboration. Since 2016, Creative Culture’s fellowship program has produced short films steadily selected at film festivals like Sundance, Berlinale, SXSW with acquisitions by Criterion, Fox Searchlight, POV, and other reputable outlets. In support of feature films, Creative Culture’s residency program is curated in partnership with sister organizations like Black Public Media, Chicken & Egg Pictures, and Sundance Institute.

Follow, like and share Manhattan Edit Workshop on Social Media
https://www.linkedin.com/school/manhattan-edit-workshop/
https://www.facebook.com/ManhattanEditWorkshop/
https://www.instagram.com/mewshop/
https://twitter.com/MEWShop
https://vimeo.com/mewshop

Follow, like and share Sight, Sound & Story on Social Media
https://www.facebook.com/SightSndStory/
https://twitter.com/SightSndStory
https://www.sightsoundandstory.com/

#SSSLIVE #SSSLIVE2022 #SightSoundAndStory #JohnMatysiak #MihaiMalaimareJr #SeanWeiner #Cinematographer #Cinematography #DP #DirectorOfPhotography #TheHarderTheyFall #OldHenry #Western #WesternFilms #ShootingWesternFilms #WesternCinematography #PoweredByOWC #AJA #ZEISS #FilmmakerU

Видео Sight Sound & Story - Behind the Lens: Shooting the Western Film канала Manhattan Edit Workshop
Показать
Комментарии отсутствуют
Введите заголовок:

Введите адрес ссылки:

Введите адрес видео с YouTube:

Зарегистрируйтесь или войдите с
Информация о видео
27 мая 2022 г. 4:00:11
01:57:14
Другие видео канала
How Editor Jean Tsien, ACE Redesigned The Opening Scene of 'Plastic China' to Draw in AudiencesHow Editor Jean Tsien, ACE Redesigned The Opening Scene of 'Plastic China' to Draw in AudiencesEditor Fabienne Bouville, ACE on Editing Notes for the Hit Show "Masters of Sex"Editor Fabienne Bouville, ACE on Editing Notes for the Hit Show "Masters of Sex"Editor Kevin Tent, ACE on a Dizzying Sequence in "Girl, Interrupted"Editor Kevin Tent, ACE on a Dizzying Sequence in "Girl, Interrupted"David Teague Discusses the Difficulty with Beginnings, Using Examples from the Documentary "E-Team"David Teague Discusses the Difficulty with Beginnings, Using Examples from the Documentary "E-Team"How to Use Speed Ramping/Time Remapping in Premiere ProHow to Use Speed Ramping/Time Remapping in Premiere ProFilm Editor John Gilroy, ACE on Getting Into Sync with the Director on "Tumbleweeds"Film Editor John Gilroy, ACE on Getting Into Sync with the Director on "Tumbleweeds"Film Editor John Gilroy, ACE on the Advantage of Using Real Hockey Players for "Miracle"Film Editor John Gilroy, ACE on the Advantage of Using Real Hockey Players for "Miracle"Sight, Sound & Story: Live - "Inside the Cutting Room of Sam O'Steen"Sight, Sound & Story: Live - "Inside the Cutting Room of Sam O'Steen""Sight, Sound & Story: The Art of Cinematography" 2016 Event Trailer"Sight, Sound & Story: The Art of Cinematography" 2016 Event TrailerDP Igor Martinović on Creating the Look for "The Night Of"DP Igor Martinović on Creating the Look for "The Night Of"Julina Tatlock on the  Original 360°/Virtual Reality Series "Invisible"Julina Tatlock on the Original 360°/Virtual Reality Series "Invisible"Tech Talk: Live with AJA - Remote Workflows and SolutionsTech Talk: Live with AJA - Remote Workflows and SolutionsHow Editor Carla Gutierrez, ACE Found Intimacy in Archival Footage for the Film "Chavela"How Editor Carla Gutierrez, ACE Found Intimacy in Archival Footage for the Film "Chavela"Editor Tim Squyres, ACE Discusses Motivation for Making Cuts Using Examples from SyrianaEditor Tim Squyres, ACE Discusses Motivation for Making Cuts Using Examples from SyrianaEditor Andrew Weisblum, ACE Discusses the Advantages of Going Against the Script with Black SwanEditor Andrew Weisblum, ACE Discusses the Advantages of Going Against the Script with Black SwanEditor Michael Kahn, ACE, Discusses the Effectiveness of Not Cutting, as Seen in "Lincoln"Editor Michael Kahn, ACE, Discusses the Effectiveness of Not Cutting, as Seen in "Lincoln"Rob McLachlan ASC on the Team Effort Behind ''The Spoils of War" on Game of ThronesRob McLachlan ASC on the Team Effort Behind ''The Spoils of War" on Game of ThronesBarbara Tulliver, ACE Talks About the Importance of Match Cuts and Rhythm from "Homicide"Barbara Tulliver, ACE Talks About the Importance of Match Cuts and Rhythm from "Homicide"Andrew Weisblum, ACE Discusses Editing Stop-motion Animation From "Fastastic Mr. Fox"Andrew Weisblum, ACE Discusses Editing Stop-motion Animation From "Fastastic Mr. Fox"Visual Effects Artist Rob Legato Discusses figuring out the creative part of a shot from HugoVisual Effects Artist Rob Legato Discusses figuring out the creative part of a shot from HugoDoritos Crash the Superbowl 2009 Contest entryDoritos Crash the Superbowl 2009 Contest entry
Яндекс.Метрика