Abject Women: The Greatest Horror of All
Visit: https://www.audible.com/broey for 30 days free!
Yhara Zayd’s videos:
A Monstress Comes of Age: Horror & Girlhood
https://www.youtube.com/watch?v=TkUbP2KVVl8&t=571s&ab_channel=Yharazayd
Jennifer's Body & the Horror of Bad Marketing
https://www.youtube.com/watch?v=llQ_OpOl7Qg&t=291s&ab_channel=Yharazayd
Patreon: https://www.patreon.com/broeydeschanel
Instagram: https://www.instagram.com/broey_deschanel/
Twitter: https://twitter.com/DeschanelBroey
SOURCES:
Maggie Hennefeld, Nicholas Sammond, Abjection Incorporated : Mediating the Politics of Pleasure and Violence, Duke University Press (2020).
Julia Kristeva. Powers of Horror: An Essay on Abjection. Trans. Leon S. Roudiez. New York: Columbia UP, 1982.
Rachel C. Lee, “Where’s My Parade? Margaret Cho and the Asian American Body in Space” TDR The Drama Review (2004).
Imogen Tyler. Revolting Subjects: Social Abjection and Resistance in Neoliberal Britain. Bloomsbury Academic & Professional (2013).
Linda Williams, “Film Bodies: Gender, Genre, and Excess” Film Quarterly, Vol. 44, No. 4 (1991), pp. 2-13
Видео Abject Women: The Greatest Horror of All канала Broey Deschanel
Yhara Zayd’s videos:
A Monstress Comes of Age: Horror & Girlhood
https://www.youtube.com/watch?v=TkUbP2KVVl8&t=571s&ab_channel=Yharazayd
Jennifer's Body & the Horror of Bad Marketing
https://www.youtube.com/watch?v=llQ_OpOl7Qg&t=291s&ab_channel=Yharazayd
Patreon: https://www.patreon.com/broeydeschanel
Instagram: https://www.instagram.com/broey_deschanel/
Twitter: https://twitter.com/DeschanelBroey
SOURCES:
Maggie Hennefeld, Nicholas Sammond, Abjection Incorporated : Mediating the Politics of Pleasure and Violence, Duke University Press (2020).
Julia Kristeva. Powers of Horror: An Essay on Abjection. Trans. Leon S. Roudiez. New York: Columbia UP, 1982.
Rachel C. Lee, “Where’s My Parade? Margaret Cho and the Asian American Body in Space” TDR The Drama Review (2004).
Imogen Tyler. Revolting Subjects: Social Abjection and Resistance in Neoliberal Britain. Bloomsbury Academic & Professional (2013).
Linda Williams, “Film Bodies: Gender, Genre, and Excess” Film Quarterly, Vol. 44, No. 4 (1991), pp. 2-13
Видео Abject Women: The Greatest Horror of All канала Broey Deschanel
Показать
Комментарии отсутствуют
Информация о видео
Другие видео канала
Saltburn: The Tumblr-ification of CinemaHow I Learned to Stop Worrying and Love Real HousewivesTaboo on Screen | TrailerMay December and the Melodrama of Film TwitterPriscilla and the Plight of Women('s Biopics)Are Film Critics a Dying Breed?Feeling Cynical About BarbieImmersive Van Gogh: Why Art is in CrisisWhy Films From 1999 Are So IconicCan We Still Enjoy The Social Network?Fleabag is Not a FemcelSaturday Night Fever and the Death of DiscoThe Decline of Tim BurtonElvis (2022) and the Utter Mediocrity of BiopicsSpring Breakers and the End of Indie SleazeBergman Island: Art, Love, and the Unbearable Process of MakingGreta Gerwig, Representation, and the Universal GirlValley of the Dolls: Why We Love This Awful MovieOscars 2022 and the Death of CinemaEuphoria and the Art of Navel GazingEyes Wide Shut: Stanley Kubrick's Swan Song