Oscars 2022 and the Death of Cinema
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Is it time to say farewell to cinema? Let’s find out.
Thumbnail by Hannah Raine
https://www.instagram.com/hannahmraine/
SOURCES:
Alex Abad-Santos, “Martin Scorsese’s fight against Marvel isn’t really about Marvel movies” Vox (2019).
Judy Berman. “The Streaming Void”, The Baffler, No. 38 (2018).
Kyle Buchanan, “How Will the Movies (As We Know Them) Survive the Next 10 Years?” The New York Times.
Douglas Gomery, The Hollywood Studio System: A History, Bloomsbury (2019).
Mark Harris, Pictures at a Revolution: Five Movies and the Birth of the New Hollywood, Penguin Publishing Group (2008).
Mark Harris, “The Day the Movies Died” GQ (2011).
Erik Hoel. “Enter the Supersensorium: The neuroscientific case for Art in the age of Netflix” The Baffler, No.45 (2019).
Fredric Jameson, Postmodernism, or, the Cultural Logic of Late Capitalism, Duke University Press (1991).
Pauline Kael, “Why Are Movies So Bad, Or By the Numbers?” The New Yorker (1980).
Amanda Ann Klein and R. Barton Palmer, “Spinoff City: Why Hollywood Is Built on Unoriginal Ideas” The Atlantic (2016).
Martin Scorsese, “I Said Marvel Movies Aren’t Cinema. Let Me Explain.” The New York Times (2019).
Julia Stoll, “Number of original content titles released by Netflix from 3rd quarter 2017 to 4th quarter 2022” Statista (2022).
https://www.statista.com/statistics/883491/netflix-original-content-titles/
Patreon: https://www.patreon.com/broeydeschanel
Instagram: https://www.instagram.com/broey_deschanel/
Twitter: https://twitter.com/DeschanelBroey
Видео Oscars 2022 and the Death of Cinema канала Broey Deschanel
Is it time to say farewell to cinema? Let’s find out.
Thumbnail by Hannah Raine
https://www.instagram.com/hannahmraine/
SOURCES:
Alex Abad-Santos, “Martin Scorsese’s fight against Marvel isn’t really about Marvel movies” Vox (2019).
Judy Berman. “The Streaming Void”, The Baffler, No. 38 (2018).
Kyle Buchanan, “How Will the Movies (As We Know Them) Survive the Next 10 Years?” The New York Times.
Douglas Gomery, The Hollywood Studio System: A History, Bloomsbury (2019).
Mark Harris, Pictures at a Revolution: Five Movies and the Birth of the New Hollywood, Penguin Publishing Group (2008).
Mark Harris, “The Day the Movies Died” GQ (2011).
Erik Hoel. “Enter the Supersensorium: The neuroscientific case for Art in the age of Netflix” The Baffler, No.45 (2019).
Fredric Jameson, Postmodernism, or, the Cultural Logic of Late Capitalism, Duke University Press (1991).
Pauline Kael, “Why Are Movies So Bad, Or By the Numbers?” The New Yorker (1980).
Amanda Ann Klein and R. Barton Palmer, “Spinoff City: Why Hollywood Is Built on Unoriginal Ideas” The Atlantic (2016).
Martin Scorsese, “I Said Marvel Movies Aren’t Cinema. Let Me Explain.” The New York Times (2019).
Julia Stoll, “Number of original content titles released by Netflix from 3rd quarter 2017 to 4th quarter 2022” Statista (2022).
https://www.statista.com/statistics/883491/netflix-original-content-titles/
Patreon: https://www.patreon.com/broeydeschanel
Instagram: https://www.instagram.com/broey_deschanel/
Twitter: https://twitter.com/DeschanelBroey
Видео Oscars 2022 and the Death of Cinema канала Broey Deschanel
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