Загрузка страницы

Niccolo Paganini - Violin Concerto №1. (Mov.III)

Paganini's Concerto for Violin and Orchestra No. 1 is a virtuosic tour de force and reveals not only Paganini's incredible technical ability, but also his melodic sensitivity and skillful exploitation of dramatic structure.

Niccolo Paganini - Violin Concerto No.1

Marko Komonko - violin
Ukrainian Festival Orchestra
Ivan Ostapovych - conductor

Like many of his other works, this concerto takes inspiration from the musical language of Gioachino Rossini's operas, which were extremely popular at the time. Paganini originally composed the Concerto No. 1 in the unusual key of E flat major, in order to achieve a more brilliant tone for the violin. However, since modern concert pitches are much higher than was the norm in Paganini's era, the standard modern version of the piece is transposed to the key of D major, which also makes the very thin E string of the violin less susceptible to breakage (Paganini often broke several strings during a single concert performance).

By modern standards the technical demands of the concerto are only moderate, but in Paganini's time they were considered tremendous, and many contemporaries branded the piece "unplayable." This, of course, served as valuable publicity that helped Paganini become the most popular soloist of his day. The work is indeed a catalog of such flashy techniques as extended arpeggios, left-hand pizzicati, rapid runs in thirds, fifths, and even harmonics. The work is more than a mere virtuoso showpiece, however. Paganini's concerto is filled with elegant melodic themes, and there are moments of striking beauty. One legend holds that Paganini composed the main theme of the second movement on a one-string violin while languishing in prison under suspicion of a murder he did not commit. Such legends grow up naturally around the dynamic (and, some said, demonic) Paganini, but they also reflect the appeal and mystique of his music. Paganini's aura of mystery was amplified by his refusal to allow his works to be published during his lifetime, making it impossible for his rivals to study and master his techniques. The Concerto No. 1 was published only after his death, and it soon became a fixture in the repertoire of lesser virtuosos who were as adept, more or less, in the technical department, but not nearly as musically compeling as Paganini. Fortunately, many great twentieth century soloists have concentrated on the musicality of the piece as much as the virtuosity.

Live recorded at the Lviv Organ Hall, October, 2019

Collegium Management - Organ Hall
*collegium.agency
**lvivconcert.house

Видео Niccolo Paganini - Violin Concerto №1. (Mov.III) канала Ukrainian Live Classic
Показать
Комментарии отсутствуют
Введите заголовок:

Введите адрес ссылки:

Введите адрес видео с YouTube:

Зарегистрируйтесь или войдите с
Информация о видео
6 июня 2021 г. 18:45:09
00:09:37
Другие видео канала
National Anthem of Ukraine - Державний Гімн УкраїниNational Anthem of Ukraine - Державний Гімн УкраїниF. Poulenc - C'est ainsi que tu et. Nataliya Stepanyak/Iryna KirchanovaF. Poulenc - C'est ainsi que tu et. Nataliya Stepanyak/Iryna KirchanovaF. Kreisler - LiebesleidF. Kreisler - Liebesleid«Ой горами волоньки». Народна пісня в обробці Миколи Колесси«Ой горами волоньки». Народна пісня в обробці Миколи КолессиTeaser: Порфирій Бажанський. Pro. Ukrainian LiveTeaser: Порфирій Бажанський. Pro. Ukrainian LiveRoy Spaulding Stoughton - Tales from Arabian Nights. Fisherman and ginRoy Spaulding Stoughton - Tales from Arabian Nights. Fisherman and ginKyrylo Stepanenko – "Valiant Pieces" for PianoKyrylo Stepanenko – "Valiant Pieces" for PianoM. Reger - Fantasia and Fugue in D Minor, op. 135b. Stefan DonnerM. Reger - Fantasia and Fugue in D Minor, op. 135b. Stefan DonnerБажанський: "Біла циганка". І діяБажанський: "Біла циганка". І діяUkrainian Live Classic. Уляна Горбачевська про додаток.Ukrainian Live Classic. Уляна Горбачевська про додаток.UFO та дириґент Сіґізвальд КьойкенUFO та дириґент Сіґізвальд КьойкенRoy Spaulding Stoughton - Persian Suite. Garden of IramRoy Spaulding Stoughton - Persian Suite. Garden of IramМикола Колесса  - «І слово годі мовить» із циклу «В країні квітучої вишні»Микола Колесса - «І слово годі мовить» із циклу «В країні квітучої вишні»"Венера у хутрі". Сучасна українська музика. Ukrainian Festival Orchestra"Венера у хутрі". Сучасна українська музика. Ukrainian Festival Orchestra«Калина, калина» із циклу «Три народні пісні села Ходович» в обробці Миколи Колесси«Калина, калина» із циклу «Три народні пісні села Ходович» в обробці Миколи Колесси#StandWithUkraine: Vidas Pinkevicius, Ausra Motuzaite-Pinkeviciene, Lithuania#StandWithUkraine: Vidas Pinkevicius, Ausra Motuzaite-Pinkeviciene, LithuaniaУкраїнська класика в чотири рукиУкраїнська класика в чотири рукиRichard Strauss: "Allerseelen"Richard Strauss: "Allerseelen"Michał Szostak: improvisation  Fantasia on an Ukrainian themeMichał Szostak: improvisation Fantasia on an Ukrainian themeАнтін Рудницький: Доля розділена навпіл (частина 1)Антін Рудницький: Доля розділена навпіл (частина 1)
Яндекс.Метрика