Digital ➡️ physical art

Digital-to-physical isn’t a style—it’s a pipeline.

Emma Webster begins in virtual space, sculpting VR dioramas and lighting them like little stage sets before translating those invented terrains into large oil paintings; think postcards from places that only exist inside a headset.

Avery Singer pioneered a different bridge: building scenes in SketchUp, then airbrushing and masking those computer-born images onto canvas—deliberately minimizing the “hand” of the paintbrush so the work feels machined yet painterly.

Others push gaming and early-software DNA straight into paint. Mathew Zefeldt lifts tiled textures and first-person videogame logics into complex, hand-painted canvas — an analog remake of digital space.

Maja Djordjević flips the script again, freehanding MS-Paint aesthetics at full, physical scale: thick oil, hard outlines, and pixel-era color that started on a 90s screen and now lives on canvas (and in recent European shows).

Together these practices show how artists mine 3D tools, game engines, and proto-digital drawing to rebuild images by hand—turning screens into studios and code into brushwork.

#DigitalArt #Painting #AverySinger #EmmaWebster #MajaDjordjevic #Art

Видео Digital ➡️ physical art канала Goodnight Gallery