No Stupid Audio Questions with special guest Manley Labs' EveAnna Manley

Everything and anything you’ve wanted to ask about audio but are afraid of the reaction you’ll get… We’re here to answer your audio questions LIVE - fully anonymous!! This month, Piper and Dan welcome EveAnna Manley from Manley Labs. Register to get the links to submit your question and watch live
https://www.musicexpo.co/event-info/no-stupid-audio-questions-gear-manufacturer-edition

What if you had a safe space to ask any question about audio you want? The type of thing you can’t find the answer to via google or *shudder* gearslutz.com… This is an opportunity for us all to learn more about things that you might not learn in audio class, or on the internet, or are even basics that you should already know. We’ll find the answer for you and report it out online in this live event! Get your questions in so we can get them answered!

About the presenters
EVEANNA MANLEY
Owner, Manley Laboratories, Inc.
EveAnna Manley began her career in audio manufacturing over 30 years ago when she was hired onto the assembly line building printed circuit boards and wiring up vacuum tube amplifiers. Fast-forward 30 years later, her own company Manley Laboratories, Inc. has dominated the high end niche recording markets around the world with legendary vacuum tube processors such as the Manley Variable Mu® Stereo Limiter Compressor, Massive Passive Stereo EQ, and the VOXBOX®. EveAnna has endured over the decades pushing technology and fresh engineering concepts in her products backed by a culture of integrity she has fostered in her company.

PIPER PAYNE
Mastering Engineer ( LeAnn Rimes, Madame Gandhi, The Go-Go’s)
Piper Payne is a mastering engineer based out of Nashville, TN, where she works on albums for independent artists and major labels at Infrasonic Mastering.
Piper is a Trustee of the Recording Academy and she is Co-Chair of the P&E Wing Steering Committee. She is a former Governor of the Audio Engineering Society and she is the Co-Founder and Co-Chair of the AES’s Diversity & Inclusion Committee as well as an active member of Women's Audio Mission and she serves on the Board of SoundGirls.org.
In addition, Piper is a keeper of Vinyl Quality Control and a consultant for vinyl record pressing plants, and is opening her own vinyl manufacturing plant in Nashville in mid 2021.
Piper has a diverse background in musical styles. As a drummer, she knows that the best outcome of every project is that it has to feel good. As an engineer, Piper is focused on technical quality and correctness. But, at the end of the day, mastering is about format conversion and quality control so the project gets just what it needs.
Piper has mastered a wide variety of music including nationally renowned artists Third Eye Blind, LeAnn Rimes, The Go-Go’s, Madame Gandhi, Geographer, The Steven Universe Soundtrack’s composers Aivi and Steven, Basement, Hundredth, Elettrodomestico (Jane Wiedlin/The Go-Go’s), Blithe, ANIIML, Shamir, Betsy, Between You & Me, and Fritz Montana to name a few. See more of her sample discography at infrasonicsound.com/piper Feel free to reach out to contact Piper with any questions. Piper Payne, 313.580.6660, piper@piperpayne.com
Follow Piper on Instagram and Twitter

DAN BACIGALUPI
Mastering Engineer (Gabby Barrett, Parmalee, Kane Brown)
Daniel Bacigalupi is a Minnesota native who has been mastering music in Nashville for over 10 years. Daniel began his career at Ithaca College in New York where he earned a B.M. in Sound Recording Technology under the direction of Alex Perialas. Upon graduation, he moved to Nashville and began a 6 year career at Georgetown Masters with renowned Mastering engineer Andrew Mendelson. Daniel opened dB Masters in Green Hills in 2014 before teaming up with Grammy Award-winning engineer Pete Lyman and Infrasonic Mastering. He now works out of Infrasonic Nashville and continues to work on projects across a variety of genres.
Follow Dan on Instagram

Timestamps
0:00 Intro
2:40 Piper Intro
7:13 EveAnna is about to drop some knowledge
7:34 How Tubes work?
10::12 Is it parallel or serious?
10:26 Why higher voltages better for headroom
12:18 Are tubes still manufactured?
17:12 Under what circumstances shall you send your manufacturing to China?
21:16 How do you overcome the challenges of SMD
23:21 Is handmade better?
24:47 What the best ways to match impedance between analog devices
33:12 What to expect from plugin emulation of hardware
38:31 How does Manley go about building new gear
48:35 Why is is hard, even as an EE to get into gear manufacturing
49:18 How does Manley name their products?
54:50 Will Manley come up with an affordable summing console?
56:06 Pricing of gear
58:21 Reel to reel usefulness going forward
59:46 Discord or This Cord?

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