How to notate complex metric modulations... er, uh, tempo equations
On episode 5 of "hey man how do you do that?," Brian shows you exactly how to add some elasticity to your stale beats with tempo equations. We look to Elliott Carter, who was preoccupied with elongating, abbreviating, abstracting, and generally f*cking time in his music.
FYI, the underscoring consists of two of my electronic tracks ("Memphis" and "I am a worm and no man"), both of which utilize metric modulations, and neither of which is available commercially. [You can download them on my Patreon page tho.]
2:12- defining Metric Modulation
3:13- some Brass Tacks
5:20- exceedingly complex example
⚡A NEW WAY TO SUPPORT THE CHANNEL ⚡
Elliott Carter 'Collected Essays and Lectures' https://amzn.to/3gZJVr2
Elaine Gould 'Behind Bars' https://amzn.to/2Wsflgx
(If you decide you want to pick up one of these books, please use my affiliate link- I'll get a commission.)
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https://music.apple.com/us/playlist/s-c-o-r-e-s-t-u-d-y/pl.u-9N9LLJpIXx5o5r
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Sources:
Carter, Elliott. Collected Essays and Lectures, 1937-1995. 'The Time Dimension in Music.' 1965.
Carter Elliott. ibid. 'String Quartet No. 1 and No. 2.' 1970.
Gould, Elaine. 'Behind Bars.' 2011.
Hannaford, Marc. 'Elliott Carter’s Rhythmic Language: A Framework for Improvisation.' 2012.
Mead, Andrew. 'Time Management: Rhythm as formal determinant in certain works of Elliott Carter.' 2012.
Видео How to notate complex metric modulations... er, uh, tempo equations канала Brian Krock
FYI, the underscoring consists of two of my electronic tracks ("Memphis" and "I am a worm and no man"), both of which utilize metric modulations, and neither of which is available commercially. [You can download them on my Patreon page tho.]
2:12- defining Metric Modulation
3:13- some Brass Tacks
5:20- exceedingly complex example
⚡A NEW WAY TO SUPPORT THE CHANNEL ⚡
Elliott Carter 'Collected Essays and Lectures' https://amzn.to/3gZJVr2
Elaine Gould 'Behind Bars' https://amzn.to/2Wsflgx
(If you decide you want to pick up one of these books, please use my affiliate link- I'll get a commission.)
♥ SUPPORT ME ON PATREON ♥
https://www.patreon.com/briankrock
☺ BE SOCIAL ☺
http://instragram.com/brian.krock
http://twitter.com/thebriankrock
► SAVE THE s c o r e s t u d y PLAYLIST ►
https://open.spotify.com/user/125665969/playlist/0Noy6t5Uyi56OEFkSdcu9c?si=k9ZMkctaR5-I9EtT14kHxQ
https://music.apple.com/us/playlist/s-c-o-r-e-s-t-u-d-y/pl.u-9N9LLJpIXx5o5r
♫ LISTEN TO MY MUSIC (and buy it, if you can) ♫
https://bigheartmachine.bandcamp.com
https://www.bigheartmachine.com
https://www.briankrock.com
https://open.spotify.com/artist/2IR0n7s8YHMYELbRMaZdG3?si=OGgxpiHbTuWxMMFFgW8skg
https://music.apple.com/us/artist/big-heart-machine/1399655873
Sources:
Carter, Elliott. Collected Essays and Lectures, 1937-1995. 'The Time Dimension in Music.' 1965.
Carter Elliott. ibid. 'String Quartet No. 1 and No. 2.' 1970.
Gould, Elaine. 'Behind Bars.' 2011.
Hannaford, Marc. 'Elliott Carter’s Rhythmic Language: A Framework for Improvisation.' 2012.
Mead, Andrew. 'Time Management: Rhythm as formal determinant in certain works of Elliott Carter.' 2012.
Видео How to notate complex metric modulations... er, uh, tempo equations канала Brian Krock
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