【Virtual Lecture IV】Conversations Between the Western and Chinese Instruments in Selected Works

【網上講座四】淺析幾首作品中，中西樂器的對話 (Bilingual Subtitles 雙語字幕)
Recorded on 19 OCT 2021 | TUE | 8:30PM
(In English 英語主講)

00:00 Introduction
15:08 Standard Repertoire: Pipa
18:50 Example: Terra-cotta Warrior (2004)
23:28 Standard Repertories: Bamboo Flute
24:23 Example: Tracing Back (2006)
27:53 Standard Repertoire: Erhu
29:23 Example: Cooing and Wooing (2007)
32:52 Standard Repertoire: Zheng
36:26 Example: The Sacrifice (2012)
43:36 Conversations between the Western and Chinese Instruments
1:02:58 Q&A

This event is part of ‘Ink Art and New Music’ Creative Exchange Project
這場講座為《水墨藝術與新音樂》中西混合室內樂創作交流項目之一

This lecture attempts to look into a selected group of compositions by composers such as Tan Dun, Chen Qigang, and Guo Wenjing, that incorporate western and Chinese instruments and explore how those composers create conversations among the instruments in meaningful, engaging, and creative ways, whether imitative, interactive, interjective, interruptive, interdictive, disruptive, etc.

該講座將淺析在選定的幾首作品中，作曲家們（譚盾、陳其鋼、郭文景等）如何在中西樂器中構造一種有機的對話，無論是模仿式的，互動式的，感嘆式的，間斷式的，打斷式的，破壞式的等等。

Speaker:
Dr. Yiwen Shen
Music Theory and New Music Ensemble, The Tianjin Juilliard School

Moderator:
Dr. Robert Martin
Emeritus Professor of Music and Philosophy, Bard College

Student Composers:
Austin Leung, HKU
Samuel Mutter, Bard
OGA, Bard
Jing Wang, HKU

Co-presented by
Bard College Conservatory of Music
US-China Music Institute
Cultural Management Office, HKU
Department of Music, HKU
M+, Hong Kong

Supported by
Asian Cultural Council
Endowment Funds for Music and Fine Arts
Lee Hysan Foundation

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