7 sopranos trying to sing the G♭3 from "Salome"
From Wikipedia:
As for the required vocal range of the title role, it is an extraordinary case: The highest note is the high B5, not irregular for a soprano or mezzo-soprano to sing, while the lowest note is a low G♭3, in the contralto range and officially below the standard range for a mezzo-soprano. Considering this range, which is similar to many mezzo roles (such as Carmen and Amneris), one might assume that a high soprano is not essential to the piece, but it is; most of the relatively low sopranos who attempted this role found themselves straining their voices throughout the opera, and having reached the closing scene (the most important part of the opera for the title role) were very fatigued. This role is the classic example of the difference between tessitura and absolute vocal range: While mezzos can perform a high note (like Carmen), or even temporarily sustain a high tessitura, it is impossible for a singer to spend such a long time (with the needed strength and breath-control) in the second octave above the middle C unless she is a high soprano. Moreover, the low G♭ occurs twice in the opera, and in both cases it is in pianissimo—more of a theatrical effect than music—and can be growled instead of sung. The other low notes required are no lower than low A♮, and they are also quiet.
Featured sopranos in order:
Gun-Brit Barkmin
Montserrat Caballé
Ljuba Kazarnovskaya
Catherine Malfitano
Karita Mattila
Birgit Nilsson
Teresa Stratas
Видео 7 sopranos trying to sing the G♭3 from "Salome" канала Montana Wildhack
As for the required vocal range of the title role, it is an extraordinary case: The highest note is the high B5, not irregular for a soprano or mezzo-soprano to sing, while the lowest note is a low G♭3, in the contralto range and officially below the standard range for a mezzo-soprano. Considering this range, which is similar to many mezzo roles (such as Carmen and Amneris), one might assume that a high soprano is not essential to the piece, but it is; most of the relatively low sopranos who attempted this role found themselves straining their voices throughout the opera, and having reached the closing scene (the most important part of the opera for the title role) were very fatigued. This role is the classic example of the difference between tessitura and absolute vocal range: While mezzos can perform a high note (like Carmen), or even temporarily sustain a high tessitura, it is impossible for a singer to spend such a long time (with the needed strength and breath-control) in the second octave above the middle C unless she is a high soprano. Moreover, the low G♭ occurs twice in the opera, and in both cases it is in pianissimo—more of a theatrical effect than music—and can be growled instead of sung. The other low notes required are no lower than low A♮, and they are also quiet.
Featured sopranos in order:
Gun-Brit Barkmin
Montserrat Caballé
Ljuba Kazarnovskaya
Catherine Malfitano
Karita Mattila
Birgit Nilsson
Teresa Stratas
Видео 7 sopranos trying to sing the G♭3 from "Salome" канала Montana Wildhack
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