Thrilling high notes! - Callas, Flagstad, Sutherland, Gueden, Crespin, Nilsson, Varnay et al.

I just picked up some selections of huge and thrilling high notes among my recordings. Here I don't mean those exciting and incredibly high notes, but especially those that thrills us because of their amazing power and fearlessness, even if not exactly a High E-flat. So, the selections are:

1) Maria Callas in "Sempre libera" (La Traviata), 1951;
2) Kirsten Flagstad, together with Lauritz Melchior, in the Love Duet of Tristan und Isolde, 1941;
3) Hilde Gueden in "Unheivolle Daphne!" (Daphne), 1964;
4) Joan Sutherland in "Salut à la France" (La Fille du Régiment), 1973;
5) Régine Crespin in "Hojotoho!" (Die Walküre), 1966;
6) Birgit Nilsson in "Was bluten muss" (Elektra), 1965;
7) Astrid Varnay, together with Wolfgang Windgassen, in "Ewig war ich" (Siegfried), 1953;
8) Giulietta Simionato in the Love Duet of Les Huguenots, 1962;
9) Renata Tebaldi in "Pace, pace, mio Dio" (La Forza del Destino), 1953;
10) Marisa Galvany in "Ah! segnata è la mia sorte" (Anna Bolena);
11) and Renée Fleming in "Dis-moi que je suis belle" (Thaïs), 2007.

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