WHY ARE THESE VINTAGE LENSES SO GREAT?

This week we went back to the pine wood with two of the best lenses I've used from the series so far The Ziess Ikon Super Ikonta's Zeiss Tessar, and the Schneider 180mm f/5.6 Apo-Symmar L Lens, to do an inside out photo-story with the wonderfull Leah Debrincat.

For more visit www.olitography.com

For Print sales check out https://olitography.darkroom.tech

Leahs instagram

https://instagram.com/leahdebrincat?igshid=13kukclh9j4i

Clothes by the awesome Sigrun Vikingart

https://instagram.com/sigrun_vikingart?igshid=11h7buldam2mj

A quick note for all the people who would say that this is about scanning or some technical detail detail, that invalidates any points raised in the video (i'm sure you wont have read this far, before volunteering your opinion). a great example of a terrible lens, is the the go Pros we shot the video on,

but its loved by some many.

If you cant feel your way though image making, your images will have no soul.
If you would like to help me out a buy me a roll of film you can here
https://www.amazon.co.uk/hz/wishlist/ls/3LUAYCC30AWZY?ref_=wl_share

Or if you would like to join the discussion on the Facebook group you would be welcome here
https://www.facebook.com/groups/242419873643905/

Видео WHY ARE THESE VINTAGE LENSES SO GREAT? канала olitography