James Dean: What Makes a Film Icon?
In this video essay, I discuss the ontology of star iconicity, taking James Dean and the rebel icon as a case study to explore this concept.
Written version of this video: https://cinemascholar.com/james-dean-what-makes-a-film-icon/
Timecodes:
00:00 Introduction
04:19 The Rebel Icon
07:35 The Transparency and Opacity of the Icon
13:39 The Ontology of the Screen Performer
References:
• Bazin, André. What is Cinema? Vol. 1. Translated by Hugh Gray, U of California P, 2005.
• Cavell, Stanley. The World Viewed: Reflections on the Ontology of Film. Harvard UP, 1979.
• Dyer, Richard. Stars. New ed. with a supplementary chapter and bibliography by Paul McDonald, BFI, 1998.
• Fishwick, Marshall. “Icons of America.” Introduction. Icons of America, edited by Ray B. Browne and Marshall Fishwick, Popular Press, 1978, pp. 3 – 12.
• Genette, Gérard. Paratexts: Thresholds of Interpretation. Translated by Jane E. Lewin, Cambridge UP, 1997.
• Halberstam, David. The Fifties. ePub ed., Open Road Integrated Media, 2012.
• Meir, Irit and Oksana Tkachman. “Iconicity.” Oxford Bibliographies in “Linguistics”. Oxford UP, last modified 24 March 2014, https://www.oxfordbibliographies.com/view/document/obo-9780199772810/obo-9780199772810-0182.xml
• Orr, David Gerald. “The Icon in the Time Tunnel.” Icons of America, edited by Ray B. Browne and Marshall Fishwick, Popular Press, 1978, pp. 13 – 23.
• Springer, Claudia. James Dean Transfigured: The Many Faces of Rebel Iconography. U of Texas P, 2007.
• Truffaut, François. “James Dean is Dead.” The Films in My Life, translated by Leonard Mayhew, Simon & Schuster, 1985, pp. 296 – 299.
Films Featured (Affiliate Links):
Rebel Without a Cause (Nicholas Ray, 1955) https://amzn.to/3FqVt2R
East of Eden (Elia Kazan, 1955) https://amzn.to/37q3zfB
Giant (George Stevens, 1956) https://amzn.to/3vQHfFs
Music by AIIVAWN, Craymer:
“Can’t Take My Eyes off You”
Spotify: https://open.spotify.com/album/0VS2cv54zqZAtA3XOnlxs7
Released by College Music: https://open.spotify.com/user/college.music
Download/Stream: https://www.collegemusic.co.uk/release/cant-take-my-eyes-off-you/
Music by Twotrees:
“Lighthouse” – Iridescence
Spotify: https://open.spotify.com/album/4zB9ReeRbseLAqG9zn1AeT?highlight=spotify:track:7eaGzaiLCaxMmGYzXGtM5E
Released by College Music: https://open.spotify.com/user/college.music
Download/Stream: https://collegemusicrecords.bandcamp.com/album/iridescence
Music by Mondo Loops, Quist:
“Winding Roads” – In Nature
“The Nightman” – In Nature
Spotify: https://open.spotify.com/album/4KbLj8bALm1QaKLa5wzn5M
Released by College Music: https://open.spotify.com/user/college.music
Download/Stream: https://collegemusicrecords.bandcamp.com/album/in-nature
Social Media + Contact:
Cinema Scholar website: https://cinemascholar.com/
Instagram: https://www.instagram.com/cinemascholar/
LinkedIn: https://www.linkedin.com/company/cinema-scholar
Business Enquiries: contact@cinemascholar.com
#jamesdean #icon #rebel #cinema
Видео James Dean: What Makes a Film Icon? канала Zachary Xavier
Written version of this video: https://cinemascholar.com/james-dean-what-makes-a-film-icon/
Timecodes:
00:00 Introduction
04:19 The Rebel Icon
07:35 The Transparency and Opacity of the Icon
13:39 The Ontology of the Screen Performer
References:
• Bazin, André. What is Cinema? Vol. 1. Translated by Hugh Gray, U of California P, 2005.
• Cavell, Stanley. The World Viewed: Reflections on the Ontology of Film. Harvard UP, 1979.
• Dyer, Richard. Stars. New ed. with a supplementary chapter and bibliography by Paul McDonald, BFI, 1998.
• Fishwick, Marshall. “Icons of America.” Introduction. Icons of America, edited by Ray B. Browne and Marshall Fishwick, Popular Press, 1978, pp. 3 – 12.
• Genette, Gérard. Paratexts: Thresholds of Interpretation. Translated by Jane E. Lewin, Cambridge UP, 1997.
• Halberstam, David. The Fifties. ePub ed., Open Road Integrated Media, 2012.
• Meir, Irit and Oksana Tkachman. “Iconicity.” Oxford Bibliographies in “Linguistics”. Oxford UP, last modified 24 March 2014, https://www.oxfordbibliographies.com/view/document/obo-9780199772810/obo-9780199772810-0182.xml
• Orr, David Gerald. “The Icon in the Time Tunnel.” Icons of America, edited by Ray B. Browne and Marshall Fishwick, Popular Press, 1978, pp. 13 – 23.
• Springer, Claudia. James Dean Transfigured: The Many Faces of Rebel Iconography. U of Texas P, 2007.
• Truffaut, François. “James Dean is Dead.” The Films in My Life, translated by Leonard Mayhew, Simon & Schuster, 1985, pp. 296 – 299.
Films Featured (Affiliate Links):
Rebel Without a Cause (Nicholas Ray, 1955) https://amzn.to/3FqVt2R
East of Eden (Elia Kazan, 1955) https://amzn.to/37q3zfB
Giant (George Stevens, 1956) https://amzn.to/3vQHfFs
Music by AIIVAWN, Craymer:
“Can’t Take My Eyes off You”
Spotify: https://open.spotify.com/album/0VS2cv54zqZAtA3XOnlxs7
Released by College Music: https://open.spotify.com/user/college.music
Download/Stream: https://www.collegemusic.co.uk/release/cant-take-my-eyes-off-you/
Music by Twotrees:
“Lighthouse” – Iridescence
Spotify: https://open.spotify.com/album/4zB9ReeRbseLAqG9zn1AeT?highlight=spotify:track:7eaGzaiLCaxMmGYzXGtM5E
Released by College Music: https://open.spotify.com/user/college.music
Download/Stream: https://collegemusicrecords.bandcamp.com/album/iridescence
Music by Mondo Loops, Quist:
“Winding Roads” – In Nature
“The Nightman” – In Nature
Spotify: https://open.spotify.com/album/4KbLj8bALm1QaKLa5wzn5M
Released by College Music: https://open.spotify.com/user/college.music
Download/Stream: https://collegemusicrecords.bandcamp.com/album/in-nature
Social Media + Contact:
Cinema Scholar website: https://cinemascholar.com/
Instagram: https://www.instagram.com/cinemascholar/
LinkedIn: https://www.linkedin.com/company/cinema-scholar
Business Enquiries: contact@cinemascholar.com
#jamesdean #icon #rebel #cinema
Видео James Dean: What Makes a Film Icon? канала Zachary Xavier
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