রবীন্দ্র সংগীত । বর্ষার গান । অদিতি মহসিন । Rabindra Sangeet । Adity Mohsin । Bengal Jukebox

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Songs of Rabindranath Tagore by Adity Mohsin

♦️ অদিতি মহসিনের কণ্ঠে রবীন্দ্রনাথের বর্ষার গান ♦️
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🔹Track List 🔹

1. Badal Diner Pratham Kadam ▶️ 00:00
Parjaay: Prakriti
Upa-parjaay: Borsha
Taal: Dadra
Raag: Malhar
Written on: 1939 (30/7/1939)
Swarabitan: 58
Notation by: Shailajaranjan Majumdar

Notes: Bears close resemblence with the poem 'Deowa-neowa' written on 10th January 1940 at Shantiniketan and compiled in the book 'Sanai'.

2. Eso Shyamalo Sundaro ▶️ 05:39
Parjaay: Prakriti
Upa-parjaay: Borsha
Taal: Tritaal
Raag: Desh
Anga: Gat
Written on: 1937
Published in: Probasi
Swarabitan: 54
Notation by: Shantideb Ghosh
Bhanga Gaan

3. Abar Esechhe Asar ▶️ 08:40
Parjaay: Prakriti
Upa-parjaay: Borsha
Taal: Dadra
Raag: Malhar
Written on: 1910 (10 Asharh 1317)
Place: Bolpur
Published in: Bangadarshan
Collection: Geetanjali
Swarabitan: 11 (Ketaki)
Notation by: Dinendranath Tagore /
Bhimrao Shastri

4. Bajramanik Diye Gatha ▶️ 13:32
Parjaay: Prakriti
Upa-parjaay: Borsha
Taal: Dadra
Raag: Jhijhit-Baul
Anga: Baul
Written on: 1925
Published in: Shantiniketan Patrika
Swarabitan: 31
Notation by: Dinendranath Tagore

Notes: Pilu raag is applied in the sanchari segment.. Baul style

5. Ogo Saotali Chhele ▶️ 16:49
Parjaay: Prakriti
Upa-parjaay: Borsha
Taal: Dadra
Raag: Mishra-Bhairavi
Written on: 1939 (12/7/1939 28 Aasharh 1346)
Place: Shantiniketan, Punashcha
Published in: Probasi
Swarabitan: 53
Notation by: Shailajaranjan Majumdar

6. Amar Din Phuralo ▶️ 21:36
Parjaay: Prakriti
Upa-parjaay: Borsha
Taal: Dadra
Raag: Desh-Malhar
Written on: 1920
Swarabitan: 33 (Kabyageeti)
Notation by: Dinendranath Tagore

Notes: It is not unknown that Rabindranath would forget his tunes. He often used to present an old song with a completely new tune. Such an incedent had been described by Shantimoyee Dutta, daughter of Pt.Sitanath Tattwabhushan. She had spent her childhood in ‘Devalaya’, a house next to the publication house of ‘Probasi’ and Ramananda Chattopadhyaya’s house. Rabindranath was a frequent visitor there. A literary and musical soiree used to be organized on the verandah with a mat spread on. She had described in her memoire ‘Mohilader Smritite Rabindranath’ –

… On request from Sita devi Rabindranath once presented the song ‘Aamar din phuralo …’. It was his speciality that he would ask people around him to sing along with him and pick up the song.

The tune of this song was completely new to all present there and they all looked at his face silently. He asked them after the song was completed – ‘How did you keep quiet, couldn’t you sing along?’

Sita devi replied – ‘How could we do that, you had started with a complete new melody. This one is not known to us.’

The poet smiled at them – ‘Is it? Well, let me listen to the one you know.’

When they presented the song with the other tune Rabindranath raised his eyebrow – ‘Oh! May be it was my fault.’

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Bengal Foundation has been promoting Bengali music for decades in order to nurture and uphold the musical traditions of Bengal. The Foundation releases a wide selection of Bengali albums to the public, conducts workshops, and well as create opportunities to train under distinguished musicians at the Bengal Parampara Sangeetalay. Bengal Foundation’s music programme also frequently organises a number of large scale music events which include the Bengal Classical Music Festival, the world’s largest classical music festival in terms of number of performers on a single stage, audience capacity and duration.
Bengal Foundation’s music programme aims to pave the way for better appreciation and understanding of the fundamentals of music; as well as to energise, influence and promote the music industry of Bangladesh.

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Видео রবীন্দ্র সংগীত । বর্ষার গান । অদিতি মহসিন । Rabindra Sangeet । Adity Mohsin । Bengal Jukebox канала Bengal Foundation