DaVinci Resolve 18 | Interior Day Cinematic Color Grading Tutorial

Today marks the start of a new series of DaVinci Resolve color grading tutorials, where we approach cinematic color grading in a scene based fashion. We are going to analyze technical filmmaking aspects such as lighting ratios and set design, and use our knowledge of color theory to determine the best look possible. Furthermore, we will dive into how certain choices on set can limit us with respect to our color theory. In this video we going to walk through DaVinci Resolve cinematic color grading for an interior day scene. 🔥 Introducing ColoristHQ 🔥: https://sidneybakergreen.com/coloristhq The PowerGrade From This Tutorial: https://shop.sidneybakergreen.com/products/davinci-resolve-interior-day-powergrade?utm_source=copyToPasteBoard&utm_medium=product-links&utm_content=web Nikon Z9 N-Raw PowerGrades: https://shop.sidneybakergreen.com/products/nikon-z9-n-raw-davinci-resolve-power-grades?utm_source=copyToPasteBoard&utm_medium=product-links&utm_content=web 20% Off CineMatch: https://www.cinematch.com/purchase/?promoCode=SBG 20% Off FilmConvert: https://www.filmconvert.com/purchase/?promoCode=SBG Website: https://www.sidneybakergreen.com The Podcast: https://podcasts.apple.com/us/podcast/the-dream-chaser-podcast/id1337780797 Merch: https://shop.sidneybakergreen.com/ Download My Lightroom Presets: https://shop.sidneybakergreen.com/products/sbg-pro-series-lightroom-preset-pack Photo & Video Gear I recommend: My Favorite Cinema Camera | Zcam E2-F6: https://www.soltyscameras.com/product-page/z-cam-e2-f6-full-frame-6k-cinema-camera My Favorite Hybrid Camera | Nikon Z9: https://amzn.to/3QD20x1 Favorite 35mm EF Lens | Sigma Art 35: https://amzn.to/3itDulB Favorite 50mm EF Lens | Sigma Art 50: https://amzn.to/3W4Trfy Favorite 85mm EF Lens | Sigma Art 85: https://amzn.to/3GDOl4c Favorite Vlogging EF Lens | Canon 16-35 III L Series: https://amzn.to/3iwe6LQ Favorite Budget Hybrid Camera | Canon EOS R: https://amzn.to/3ivk3J5 Favorite Zoom RF Lens | RF 28-70 F2 L: https://amzn.to/3GzaCAo Favorite 50mm FR Lens | RF 50MM L: https://amzn.to/3QAFlS6 Favorite 85mm RF Lens | RF 85mm L: https://amzn.to/3GZ7aQL Favorite Vlogging RF Lens | RF 16mm: https://amzn.to/3QAFZiu Favorite Drone | Mavic 3: https://amzn.to/3QAFZiu Favorite Gimbal | DJI RS3 Pro: https://amzn.to/3QD3NCf Favorite Follow Focus | Tilt Nucleus M: https://amzn.to/3IIiS3z The Best Bi-Colored LED Panel On The Market | Zolar Toliman 30S: https://www.soltyscameras.com/product-page/zolar-toliman-30s The Best RGBWW LED Panel On The Market | Vega 30C: https://www.soltyscameras.com/product-page/zolar-vega-30c-5-color-led-light-panel Favorite COB Light | Aputure 120D II: https://amzn.to/3Gy9wEN Disclosure: Some of the links in this video description are affiliate links, which means that if you click on one of the product links, I'll receive a small commission. This helps support the channel and allows me to continue to make videos like this. Thank you for your support! CHAPTERS 00:00 Intro 01:24 Color Management Settings 01:51 Technical Analysis 03:08 Color Theory Analysis 04:00 Scene Color Theory Limitations 06:26 Color Theory: The Look We Can Achieve 07:01 Grading The Scene 20:40 Conclusion

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