Maria Khoreva - ballet Don Quixote - Queen of Dryads (Alexander Gorsky) [Ludwig Minkus]

Maria Khoreva - ballet Don Quixote (Alexander Gorsky) - Queen of Dryads [Ludwig Minkus]
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MariinskyTheatre:
https://www.mariinsky.ru/en/playbill/playbill/2019/5/4/1_1900

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PERFORMERS:
Conductor: Alexei Repnikov
Kitri: Elena Yevseyeva
Basilio: Victor Caixeta
Gamache: Vasily Shcherbakov
Espada: Konstantin Zverev
Street Dancer: Kristina Shapran
Mercedes: Alina Krasovskaya
Flower-Sellers: Chloe Reveillon, Vlada Borodulina
The Queen of the Dryads: Maria Khoreva
Amour: Tamara Gimadieva
Variation: Yana Selina
CREDITS:
Music by Ludwig Minkus
Libretto by Marius Petipa based on the novel by Miguel de Cervantes
Choreography by Alexander Gorsky after Marius Petipa
Gypsy and Oriental Dances choreographed by Nina Anisimova
Fandango choreographed by Fyodor Lopukhov
Set design: Alexander Golovin and Konstantin Korovin
Restoration of sets: Mikhail Shishliannikov
Costume design: Konstantin Korovin

ABOUT THE PRODUCTION:
Don Quixote, our legacy of the golden age of classical ballet, is a poignant example of how Spain is portrayed in ballets with its whirlwind ensemble dancing, castanets, fans, polka dot skirts, roses and decorative combs in  women’s hairdos. 
Despite its name, the ballet is not an adaptation of Miguel de Cervantes’ novel. Only one episode of the ingenious hidalgo’s many adventures serves as the basis for the story and the dancing scenes. It is a story about the failed wedding of the wealthy Camacho (Gamache in the ballet) to the fair Quiteria (Kitri in the ballet), who is also the object of affections of the villager Basil (Basilio). However, Don Quixote is in no way the lead character in the story by the ballet standards. His role is mostly that of a pantomime artist or a stage walker, while all the dancing feats are accomplished by other characters. 

This festive, hot-tempered and virtuoso ballet was staged in 1900 (and transferred from the Bolshoi Theatre in Moscow to the Mariinsky Theatre in 1902) by Alexander Gorsky after the eponymous ballet of Marius Petipa, which had graced the St Petersburg stage from 1871. The young and passionate choreographer Gorsky was heavily influenced by Stanislavski (who had just opened the Moscow Art Theatre) at the beginning of the 20thcentury. To make the ballet more ‘lifelike and truthful’ he turned the symmetrical corps de ballets, so common in his renowned colleague Gorsky kept the contours of the libretto, the music written by Minkus for Petipa, and many of the choreographic pieces for his production. However, Gorsky rearranged some of the scenes of the existing production. 

The modern Don Quixote arguably features the most diverse dances from among the ballet repertory: one can still see the echoes of Marius Petipa, Alexander Gorsky, Fyodor Lopukhov, who created the ‘folkloresque’ Spanish fandango in 1923, and Nina Anisimova, who added her version of the gypsy dance in 1946. Moreover, many of those dancers who performed the role of Basilio can be considered co-choreographers for the main character. On many occasions did their tricks and  ideas aimed at showcasing the artist himself in full glory make their way into the variations. For soloists, Don Quixote is not just a measure of virtuosity, but also an opportunity to be in the midst of a game, where even the smallest of roles might blossom into a colourful humoristic touch. For spectators, this production, featuring in equal measure genre and everyday scenes, character choreography and pure classical elements, is pure charm due to its generous serving of dancing and the atmosphere of carefree festivity. 

Olga Makarova

https://www.mariinsky.ru/playbill/playbill/2019/5/4/1_1900
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Видео Maria Khoreva - ballet Don Quixote - Queen of Dryads (Alexander Gorsky) [Ludwig Minkus] канала Maria Khoreva