Sarah Sze on her Studio Practice | Gagosian Quarterly

Sarah Sze provides a unique look at her process as she prepares for an exhibition in Rome, which was on view from October 13, 2018 through January 26, 2019.

A peerless bricoleur, Sze gleans objects and images from worlds both physical and digital, assembling them into complex multimedia installations that prompt microscopic observation while evoking a macroscopic perspective on the infinite. In recent years she has returned to painting—the medium in which she first trained—producing works that translate her processes of sculptural accumulation into the making of collaged paintings that are detailed, dynamic, and highly textural.
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Artwork © Sarah Sze; video: Pushpin Films; interview by Louise Neri

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