Don't Leave Home Explained in Hindi | Don't Leave Home (2018) Explained Hindi Detailed

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I am Atharva welcome to our channel Haunting Holly.
Details:-Don’t Leave Home tells the story of Melanie Thomas (Anna Margaret Hollyman), an artist who specializes in making finely detailed dioramas. For her latest project, she’s created a series of pieces documenting famous disappearances in Ireland, including the case of a young girl named Siobhan. Decades ago, Siobhan had her picture painted by Father Alistair Burke (Lalor Roddy), and soon thereafter, she seemed to vanish off the face of the Earth — and the image of her in Burke’s painting disappearing from the canvas as well. While cleared of wrongdoing, Burke was nevertheless tied to what was termed an “evil miracle,” and he went into hiding.When a local art critic publishes an early review of Melanie’s work, she gets a phone call from an associate of Father Burke’s. He’s interested in buying the diorama about Siobhan’s disappearance, it turns out, and would even like to fly Melanie out to Ireland so she can create a new commissioned piece. Melanie immediately senses something is amiss when she arrives at the gothic mansion Burke calls home. The priest seems to be hiding something, and he gets into periodic disagreements with Shelly (Helena Bereen), the woman who seems to keep Burke’s affairs in order. Soon, Melanie is having bizarre visions of hooded figures, and her strange dreams become increasingly inseparable from reality — until she realizes she may be in very real danger.
Writer-director Tully (Septien, Ping Pong Summer) is interested in exploring several themes within the film’s surreal dream logic, but nothing is foregrounded more than good old-fashioned Catholic guilt. Father Burke is tortured by his affiliation with Siobhan’s disappearance, and he seems all too eager to make amends for it — even though authorities concluded he had no part in the girl’s vanishing. Burke is constantly trying to open up to Melanie in what seem like some half-measures of confession. Late one night, she even stumbles upon him whipping himself in atonement over something.But the film also toys with the idea of art as something that can be used to replace our connection with the real world, rather than just reflect it. Melanie seems to have nothing in her life, save for her work, and the one relationship portrayed in the film — her dynamic with the gallery curator that shows her work — is strained, at best. Over the course of the film, she does learn that the people her work documents are more important than the work itself, but it’s not a lesson that comes easily.
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