Sinapsis - Episodio 5: Danza y cerebro
En este quinto episodio de Sinapsis, sobre Danza y Cerebro, la Dra. Fernanda Pérez Gay Juárez nos habla de las redes motoras del cerebro que nos permiten movernos con precisión al ritmo de la música, además de contarnos sobre los más recientes estudios que se han hecho en los cerebros de los bailarines. Además, exploraremos el caso de un pájaro bailarín, y el Dr. Francisco Gómez-Mont nos explica cómo la danza aumenta la percepción de nuestros estados hormonales y viscerales y por qué la danza puede tener valor terapéutico.
Referencias:
Danza y movimiento, de la percepción a la acción
Blake, R., & Shiffrar, M. (2007). Perception of human motion. Annual Review of Psychology, 58, 47–73. Bläsing, B., Puttke, M., & Schack, T. (Eds.). (2010). The neurocognition of dance. London: Psychology Press.
Tuthill, J. C., & Azim, E. (2018). Proprioception. Current Biology, 28(5), R194–R203. https://sci-hub.si/10.1016/j.cub.2018.01.064
Ingraham, P. (2013) Proprioception, the true sixth sense. https://www.painscience.com/articles/sixth-sense.php
Brown, S., Martinez, M. J., & Parsons, L. M. (2006). The neural basis of human dance. Cerebral Cortex, 16(8), 1157–1167.
Calvo-Merino, B. (2010). Neural mechanisms for seeing dance. In B. Bläsing, M. Puttke, & T. Schack(Eds.), The neurocognition of dance. London: Psychology Press.
Bläsing, B., Calvo-Merino, B., Cross, E. S., Jola, C., Honisch, J., & Stevens, C. J. (2012). Neurocognitive control in dance perception and performance. Acta Psychologica, 139(2), 300–308. doi:10.1016/j.actpsy.2011.12.005
El cerebro de los bailarines
Karpati, F.J., Giacosa, C., Foster, N.E., Penhune, V.B. and Hyde, K.L. (2015), Dance and the brain: a review. Annals of the N.Y. Academy of Sciences, 1337: 140-146. https://doi.org/10.1111/nyas.12632
Karpati, F.J., Giacosa, C., Foster, N.E.V. et al. (2016). Sensorimotor integration is enhanced in dancers and musicians. Experimental Brain Reseach 234, 893–903 https://doi.org/10.1007/s00221-015-4524-1
Calvo-Merino, B., Jola, C., Glaser, D. E., & Haggard, P. (2008). Towards a sensorimotor aesthetics of performing art. Consciousness and Cognition, 17(3), 911–922.
Cross, E. S. (2010). Building a dance in the human brain: Insights from expert and novice dancers. In B. Bläsing, M. Puttke, & T. Schack (Eds.), The neurocognition of dance. London: Psychology Press.
B. Calvo-Merino, D.E. Glaser, J. Grèzes, R.E. Passingham, P. Haggard, Action Observation and Acquired Motor Skills: An fMRI Study with Expert Dancers, Cerebral Cortex, Volume 15, Issue 8, August 2005, Pages 1243–1249, https://doi.org/10.1093/cercor/bhi007
Red de observación de la acción y neuronas espejo
Cross, E. S., Hamilton, A. F., & Grafton, S. T. (2006). Building a motor simulation de novo: Observation of dance by dancers. Neuroimage, 31(3), 1257–1267.
Cross, E. S., Kraemer, D. J., Hamilton, A. F., Kelley, W. M., & Grafton, S. T. (2009b). Sensitivity of the action observation network to physical and observational learning. Cerebral Cortex, 19(2), 315–326.
Rizzolatti, G., & Craighero, L. (2004). The mirror-neuron system. Annual Review of Neuroscience, 27, 169–192.
https://axnscollective.org/neuroaesthetics-and-beyond-new-horizons-in-applying-the-science-of-the-brain-to-the-art-of-dance
Danza, empatía y potencial terapéutico
Berrol, C.F., Neuroscience meets dance/movement therapy: Mirror neurons, the therapeutic process and empathy (2006). The Arts in Psychotherapy, 33 (4), 302-315. https://doi.org/10.1016/j.aip.2006.04.001.
McGarry, L. M., & Russo, F. A. (2011). Mirroring in Dance/Movement Therapy: Potential mechanisms behind empathy enhancement. The Arts in Psychotherapy, 38(3), 178–184. doi:10.1016/j.aip.2011.04.005
Danza e interocepción
Christensen, JF, Gaigg, SB, Calvo‐Merino, B(2018). I can feel my heartbeat: Dancers have increased interoceptive accuracy. Psychophysiology, 55, e13008.
https://doi.org/10.1111/psyp.13008
The dancer’s sixth sense: Interoception. https://www.acsh.org/news/2017/11/07/dancers-sixth-sense-interoception-12100
¿Somos los únicos animales que bailan?
Patel, A. D., Iversen, J. R., Bregman, M. R., & Schulz, I. (2009). Experimental Evidence for Synchronization to a Musical Beat in a Nonhuman Animal. Current Biology, 19(10), 827–830. doi:10.1016/j.cub.2009.03.038
Schachner, A., Brady, T. F., Pepperberg, I. M., & Hauser, M. D. (2009). Spontaneous Motor Entrainment to Music in Multiple Vocal Mimicking Species. Current Biology, 19(10), 831–836. doi:10.1016/j.cub.2009.03.061
Ten Cate., Spierings, M., Jeroen, H., Henkjan, H. (2016). Can Birds Perceive Rhythmic Patterns? A Review and Experiments on a Songbird and a Parrot Species. Frontiers in Psychology 7, 730. https://www.frontiersin.org/article/10.3389/fpsyg.2016.00730
Danza y Neuroplasticidad:
Teixeira-Machado, L., Arida, R. M., & de Jesus Mari, J. (2019). Dance for neuroplasticity: A descriptive systematic review. Neuroscience and biobehavioral reviews, 96, 232–240. https://doi.org/10.1016/j.neubiorev.2018.12.010
Видео Sinapsis - Episodio 5: Danza y cerebro канала SINAPSIS: Conexiones entre el arte y tu cerebro
Referencias:
Danza y movimiento, de la percepción a la acción
Blake, R., & Shiffrar, M. (2007). Perception of human motion. Annual Review of Psychology, 58, 47–73. Bläsing, B., Puttke, M., & Schack, T. (Eds.). (2010). The neurocognition of dance. London: Psychology Press.
Tuthill, J. C., & Azim, E. (2018). Proprioception. Current Biology, 28(5), R194–R203. https://sci-hub.si/10.1016/j.cub.2018.01.064
Ingraham, P. (2013) Proprioception, the true sixth sense. https://www.painscience.com/articles/sixth-sense.php
Brown, S., Martinez, M. J., & Parsons, L. M. (2006). The neural basis of human dance. Cerebral Cortex, 16(8), 1157–1167.
Calvo-Merino, B. (2010). Neural mechanisms for seeing dance. In B. Bläsing, M. Puttke, & T. Schack(Eds.), The neurocognition of dance. London: Psychology Press.
Bläsing, B., Calvo-Merino, B., Cross, E. S., Jola, C., Honisch, J., & Stevens, C. J. (2012). Neurocognitive control in dance perception and performance. Acta Psychologica, 139(2), 300–308. doi:10.1016/j.actpsy.2011.12.005
El cerebro de los bailarines
Karpati, F.J., Giacosa, C., Foster, N.E., Penhune, V.B. and Hyde, K.L. (2015), Dance and the brain: a review. Annals of the N.Y. Academy of Sciences, 1337: 140-146. https://doi.org/10.1111/nyas.12632
Karpati, F.J., Giacosa, C., Foster, N.E.V. et al. (2016). Sensorimotor integration is enhanced in dancers and musicians. Experimental Brain Reseach 234, 893–903 https://doi.org/10.1007/s00221-015-4524-1
Calvo-Merino, B., Jola, C., Glaser, D. E., & Haggard, P. (2008). Towards a sensorimotor aesthetics of performing art. Consciousness and Cognition, 17(3), 911–922.
Cross, E. S. (2010). Building a dance in the human brain: Insights from expert and novice dancers. In B. Bläsing, M. Puttke, & T. Schack (Eds.), The neurocognition of dance. London: Psychology Press.
B. Calvo-Merino, D.E. Glaser, J. Grèzes, R.E. Passingham, P. Haggard, Action Observation and Acquired Motor Skills: An fMRI Study with Expert Dancers, Cerebral Cortex, Volume 15, Issue 8, August 2005, Pages 1243–1249, https://doi.org/10.1093/cercor/bhi007
Red de observación de la acción y neuronas espejo
Cross, E. S., Hamilton, A. F., & Grafton, S. T. (2006). Building a motor simulation de novo: Observation of dance by dancers. Neuroimage, 31(3), 1257–1267.
Cross, E. S., Kraemer, D. J., Hamilton, A. F., Kelley, W. M., & Grafton, S. T. (2009b). Sensitivity of the action observation network to physical and observational learning. Cerebral Cortex, 19(2), 315–326.
Rizzolatti, G., & Craighero, L. (2004). The mirror-neuron system. Annual Review of Neuroscience, 27, 169–192.
https://axnscollective.org/neuroaesthetics-and-beyond-new-horizons-in-applying-the-science-of-the-brain-to-the-art-of-dance
Danza, empatía y potencial terapéutico
Berrol, C.F., Neuroscience meets dance/movement therapy: Mirror neurons, the therapeutic process and empathy (2006). The Arts in Psychotherapy, 33 (4), 302-315. https://doi.org/10.1016/j.aip.2006.04.001.
McGarry, L. M., & Russo, F. A. (2011). Mirroring in Dance/Movement Therapy: Potential mechanisms behind empathy enhancement. The Arts in Psychotherapy, 38(3), 178–184. doi:10.1016/j.aip.2011.04.005
Danza e interocepción
Christensen, JF, Gaigg, SB, Calvo‐Merino, B(2018). I can feel my heartbeat: Dancers have increased interoceptive accuracy. Psychophysiology, 55, e13008.
https://doi.org/10.1111/psyp.13008
The dancer’s sixth sense: Interoception. https://www.acsh.org/news/2017/11/07/dancers-sixth-sense-interoception-12100
¿Somos los únicos animales que bailan?
Patel, A. D., Iversen, J. R., Bregman, M. R., & Schulz, I. (2009). Experimental Evidence for Synchronization to a Musical Beat in a Nonhuman Animal. Current Biology, 19(10), 827–830. doi:10.1016/j.cub.2009.03.038
Schachner, A., Brady, T. F., Pepperberg, I. M., & Hauser, M. D. (2009). Spontaneous Motor Entrainment to Music in Multiple Vocal Mimicking Species. Current Biology, 19(10), 831–836. doi:10.1016/j.cub.2009.03.061
Ten Cate., Spierings, M., Jeroen, H., Henkjan, H. (2016). Can Birds Perceive Rhythmic Patterns? A Review and Experiments on a Songbird and a Parrot Species. Frontiers in Psychology 7, 730. https://www.frontiersin.org/article/10.3389/fpsyg.2016.00730
Danza y Neuroplasticidad:
Teixeira-Machado, L., Arida, R. M., & de Jesus Mari, J. (2019). Dance for neuroplasticity: A descriptive systematic review. Neuroscience and biobehavioral reviews, 96, 232–240. https://doi.org/10.1016/j.neubiorev.2018.12.010
Видео Sinapsis - Episodio 5: Danza y cerebro канала SINAPSIS: Conexiones entre el arte y tu cerebro
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