How I avoid overusing EQ when mixing heavy guitars

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How can you stop overusing EQ when mixing metal guitars?

As you might know, it's extremely easy to fall down the never-ending EQ rabbit hole.

When you listen to your guitars in isolation, it's so tempting to try and notch out every little offending frequency range that we zero in on.

As a matter of fact, it's easy to cut so many frequencies that you're (more or less) just turning your guitar track down. What's the point of that??

How do pro mixers mix so quickly without ever getting too caught up in this trap?

In my latest tutorial, I reveal my favorite mixing techniques. I use it whenever I find myself getting too caught up in stuff that really doesn't matter.

This is exactly how I stop overusing EQ when mixing metal guitars.

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