Are There Objectively Good Mixing Techniques?

Is there such a thing as "objectively" good sound quality? How about "objectively good" mix techniques? Objectively good microphones?

How much can we say with certainty about what we do in the studio, and how much of it is just up to taste and preference?

Justin Colletti explores in this week's podcast.

(In the full version he talks for another 30 minutes about specific techniques and even the meaning of "objectively good' musicianship, but he made us cut it way down and save the rest for another day...)

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