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Mark Hambourg: Folk Song

I want to share with you this lovely Folk song with a beautiful arrangement. I especially love the development in the middle section.

Mark Hambourg (Марк Михайлович Гамбург, 1879 – 1960) was a Russian British concert pianist.

His father was principal of the Voronezh Conservatory, and later a professor at the Moscow Conservatory, so that Mark continued his studies with his father even when he attended that academy. His uncle Alexander Hambourg was also a conductor and his cousin Charles Hambourg (1895–1979) was a cellist and conductor.

The family moved to London in 1889, as refugees from the Tsarist regime. There, having been heard by Paderewski, Mark made a debut at the old Princes Hall on 12 July 1890. This was a success, and there was another concert there, and a tour of the provinces. The family was too poor to turn down these opportunities, though they would gladly have protected the boy from public life. As a child he was billed as Max Hambourg. He was invited into the circle of the painter Felix Moscheles (son of the pianist Ignaz Moscheles), in London, where he often met Oscar Wilde, Bernard Shaw, Ellen Terry and others.

Sponsored largely by Paderewski, Hambourg was sent to study under Theodor Leschetitzky in Vienna for three years, arriving there in autumn 1891. There he won the Liszt Scholarship of 500 marks, and made a large number of friends among the artistic circles of Vienna. He made his first appearance as an adult pianist in early 1895, playing Chopin's Concerto No. 1 in E minor under the baton of Hans Richter, with the Vienna Philharmonic Orchestra. Then, while still a student with Leschetizky, he stood in at short notice (on his master's recommendation) to play Liszt's Hungarian Fantasia under Felix Weingartner, in place of Sophie Menter, who was indisposed. The audience, at first disappointed, was completely won over, and at the banquet which followed, Brahms himself proposed the toast to the young pianist.

In 1895 Hambourg began his first world tour (aged 16), beginning in Australia, where in (Sydney) he was asked to prolong his stay by six weeks. Returning to London, he deputized for Paderewski at a Philharmonic Society concert playing Anton Rubinstein's Piano Concerto No. 4 in D minor. He first appeared in Paris in 1896, and after that in Brussels and Berlin. He went to the United States in the latter part of 1898, making his New York debut under William Gericke with the Boston Symphony Orchestra, and going on to tour the US. He then returned to London, and in 1901 made his first appearances at the Queen's Hall Proms under Henry Wood. Over the next four years he made another American tour and made visits to Poland, Russia and Germany. (He had met Lenin through Felix Moscheles in London in 1900). In 1906 he made a month-long concert visit to South Africa, taking his own piano by precarious means across the Veldt to one remote location. He first toured in Canada in 1909 and later became friends with the Canadian pianist Harold Bradley.

Hambourg's career survived World War I and he remained a very famous performer throughout the 1920s and 1930s. After the war, he again took up his programme of world touring, visiting France, South Africa and Canada, and making regular provincial tours in Britain, and he made a further world tour before 1924. But he lived in London for most of his adult life, mostly at 27 Cumberland Terrace, Regent's Park in a house full of antiques.

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- A method to find scores: https://youtu.be/xg74ZGNTv0c
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Thanks for listening :-)

Видео Mark Hambourg: Folk Song канала Gamma1734
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5 ноября 2022 г. 23:35:04
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