Pink Floyd Echoes & 2001 A Space Odyssey HD
Pink Floyd Echoes synchronized with 2001 A Space Odyssey - Jupiter and Beyond The Infinite.
Similar to the Dark Side of the Rainbow effect, at-large rumors suggested that "Echoes" coincidentally synchronizes with Stanley Kubrick's 1968 film 2001: A Space Odyssey, when played concurrently with the final segment (titled "Jupiter and Beyond the Infinite").
"Echoes" was released three years after the film's production and is 23 minutes and 31 seconds in length, quite similar to the "Infinite" segment. Sound effects in the middle section of the song convey the feeling of travelling through, or flying over, an alien world. The drone vocalizations heard in the final scenes of 2001 seem to match with the discordant bass vibrations in the middle of "Echoes" as well as the choral glissandos of its finale. Another notable link occurs during a change in scene at precisely the moment when guitar and keyboards crescendo as the lyrics re-enter for the final verse. The early lyrics vaguely convey reference to planets, which seems entirely suitable for the film's depiction of Jupiter and its moons. Adrian Maben re-created this marriage of music and image in his director's cut of Live at Pompeii using CGI.
The members of the band always denied that the synchronization was intentional. Furthermore, the technology to play back film in a recording studio circa 1971 would have been expensive and difficult for the band to acquire(although it is not clear why such equipments would be necessary). However, the band had experience with creating film soundtracks by that point, having created the soundtrack to the French art house film More in 1969. Roger Waters is sometimes quoted as saying that the band's failure to contribute music to 2001's official score was his "greatest regret".
This video is presented for review only in the hopes the viewer will be pleased to the extent to promote the viewer to
buy the film.
We believe this constitutes a 'fair use' of any such copyrighted material as provided for in section 107 of the US Copyright
Law. In accordance with Title 17 U.S.C. Section 107, the material on this site is distributed without profit to those who
have expressed a prior interest in receiving the included information for research and review purposes only.
This video is not rendered to the full quality extent of the DVD, does not include the full volume of the DVD and is
presented for review only in the hopes the viewer will be pleased to the extent to promote the viewer to buy the full dvd.
We believe this constitutes a 'fair use' of any such copyrighted material as provided for in section 107 of the US Copyright
Law. In accordance with Title 17 U.S.C. Section 107, the material on this site is distributed without profit to those who
have expressed a prior interest in receiving the included information for research and review purposes only.
Видео Pink Floyd Echoes & 2001 A Space Odyssey HD канала barrettproduction
Similar to the Dark Side of the Rainbow effect, at-large rumors suggested that "Echoes" coincidentally synchronizes with Stanley Kubrick's 1968 film 2001: A Space Odyssey, when played concurrently with the final segment (titled "Jupiter and Beyond the Infinite").
"Echoes" was released three years after the film's production and is 23 minutes and 31 seconds in length, quite similar to the "Infinite" segment. Sound effects in the middle section of the song convey the feeling of travelling through, or flying over, an alien world. The drone vocalizations heard in the final scenes of 2001 seem to match with the discordant bass vibrations in the middle of "Echoes" as well as the choral glissandos of its finale. Another notable link occurs during a change in scene at precisely the moment when guitar and keyboards crescendo as the lyrics re-enter for the final verse. The early lyrics vaguely convey reference to planets, which seems entirely suitable for the film's depiction of Jupiter and its moons. Adrian Maben re-created this marriage of music and image in his director's cut of Live at Pompeii using CGI.
The members of the band always denied that the synchronization was intentional. Furthermore, the technology to play back film in a recording studio circa 1971 would have been expensive and difficult for the band to acquire(although it is not clear why such equipments would be necessary). However, the band had experience with creating film soundtracks by that point, having created the soundtrack to the French art house film More in 1969. Roger Waters is sometimes quoted as saying that the band's failure to contribute music to 2001's official score was his "greatest regret".
This video is presented for review only in the hopes the viewer will be pleased to the extent to promote the viewer to
buy the film.
We believe this constitutes a 'fair use' of any such copyrighted material as provided for in section 107 of the US Copyright
Law. In accordance with Title 17 U.S.C. Section 107, the material on this site is distributed without profit to those who
have expressed a prior interest in receiving the included information for research and review purposes only.
This video is not rendered to the full quality extent of the DVD, does not include the full volume of the DVD and is
presented for review only in the hopes the viewer will be pleased to the extent to promote the viewer to buy the full dvd.
We believe this constitutes a 'fair use' of any such copyrighted material as provided for in section 107 of the US Copyright
Law. In accordance with Title 17 U.S.C. Section 107, the material on this site is distributed without profit to those who
have expressed a prior interest in receiving the included information for research and review purposes only.
Видео Pink Floyd Echoes & 2001 A Space Odyssey HD канала barrettproduction
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