Supremes Medley - vision from T.A.M.I. Concert 1965
Crucially, The T.A.M.I. Show was not just a vibrant cross section of Top 40 radio, it was made by industry newcomers who loved rock and its performers and understood how to capture the music on film. The associations forged during the making of the film lasted for decades. Director Steve Binder, musical arranger Jack Nitszche, choreographer David Winter and their crew members brought the T.A.M.I. Show style to television series like “Hullabaloo” and “Shindig.” The camera setups and editing schemes here were imitated in music documentaries like Monterey Pop and Woodstock. To a surprising extent, what we picture when we think about 1960s Top 40 radio came directly from The T.A.M.I. Show.
Electronovision was the brainchild of H. William “Bill” Sargent Jr., a self-taught electronics wizard who held some 400 patents for tape heads, amplifiers, camera components and other devices. Born in 1927 in Oklahoma, Sargent moved to Los Angeles in 1959. There he started the Home Entertainment Company, which specialized in closed-circuit screenings both in movie theaters and on television. In 1962, he produced a boxing match shown in theaters featuring Muhammad Ali (known then as Cassius Clay) that prefigured the sports pay-per-view market.
Sargent developed Electronovision, which promised high-quality video-to-film transfers of live performances. His cameras could capture 800 lines of registration, more than double the limit for home television reception. (In later years the cameras approached 1,400 lines of registration, the equivalent to today’s high-definition capabilities.) Sargent’s first production, Richard Burton's Broadway production of Hamlet, reputedly earned millions of dollars in theaters.
This experimental colourisation is of the B&W video of the historic Supremes performance at the 1965 T.A.M.I. concert using Pixbim A.I. Colour and AVC Labs software played in reverse at 1980P 120fps
Видео Supremes Medley - vision from T.A.M.I. Concert 1965 канала Roy Gardnerra
Electronovision was the brainchild of H. William “Bill” Sargent Jr., a self-taught electronics wizard who held some 400 patents for tape heads, amplifiers, camera components and other devices. Born in 1927 in Oklahoma, Sargent moved to Los Angeles in 1959. There he started the Home Entertainment Company, which specialized in closed-circuit screenings both in movie theaters and on television. In 1962, he produced a boxing match shown in theaters featuring Muhammad Ali (known then as Cassius Clay) that prefigured the sports pay-per-view market.
Sargent developed Electronovision, which promised high-quality video-to-film transfers of live performances. His cameras could capture 800 lines of registration, more than double the limit for home television reception. (In later years the cameras approached 1,400 lines of registration, the equivalent to today’s high-definition capabilities.) Sargent’s first production, Richard Burton's Broadway production of Hamlet, reputedly earned millions of dollars in theaters.
This experimental colourisation is of the B&W video of the historic Supremes performance at the 1965 T.A.M.I. concert using Pixbim A.I. Colour and AVC Labs software played in reverse at 1980P 120fps
Видео Supremes Medley - vision from T.A.M.I. Concert 1965 канала Roy Gardnerra
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