Oppenheimer - A Noh Play in English
Oppenheimer is a modern Noh play in English about the American scientist, J Robert Oppenheimer, and the development of the atomic bomb, which was dropped on Hiroshima on 6 August 1945. It explores issues of guilt, atonement and redemption, but within a Buddhist rather than a Judeo-Christian framework. Here tensions between insight and responsibility/karma are explored through the Zen story of Hyakujo and the fox and themes of liberation/redemption are framed by the actions of the fearsome Buddhist Wisdom King, Fudô Myô-ô and thewheel of samsara (endless birth and death).
Oppenheimer has the structure and form of a traditional mugen Noh, where the main character is the ghost of a person who, because of some karmic hindrance, is unable to leave their human form at death. In many cases, the action of a mugen Noh play will free the ghost from the wheel ofsamsara, so that they can attain liberation. In this play, the ghost is that of J. Robert Oppenheimer, who, tormented by the horrible consequences of his action in fathering the atomic bomb, is condemned to return each year to Hiroshima to himself suffer the agonies that his weapon caused. Through a contemplation of the traditional Zen story of Hyakujo and the fox (Mumonkan, Case 2), the ghost of Oppenheimer is finally released from his suffering when he encounters Fudô Myô-ô within the fires of Hiroshima. Fudô gives Oppenheimer his sword and snare, so that he can dance for the liberation of all beings from suffering, and in particular the wounds and scars that we all bear as a result of the atomic bombing of Hiroshima.
Text: Allan Marett
Music: Richard Emmert
Direction & Movement: Akira Matsui
Producer: Allan Marett
Close Captioning: English & Japanese
1 October, 2015
Music Workshop
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COPYRIGHT
COMMONWEALTH OF AUSTRALIA
Copyright Regulations 1969
Warning
This material has been reproduced and communicated to you by or on behalf of the University of Sydney persuant to Part VB of the Copyright Act 1968 (the Act).
The material in this communication may be subject to copyright under the Act. Any further reproduction or communication of this material by you may be the subject of copyright protection under the Act.
Видео Oppenheimer - A Noh Play in English канала sydneycon
Oppenheimer has the structure and form of a traditional mugen Noh, where the main character is the ghost of a person who, because of some karmic hindrance, is unable to leave their human form at death. In many cases, the action of a mugen Noh play will free the ghost from the wheel ofsamsara, so that they can attain liberation. In this play, the ghost is that of J. Robert Oppenheimer, who, tormented by the horrible consequences of his action in fathering the atomic bomb, is condemned to return each year to Hiroshima to himself suffer the agonies that his weapon caused. Through a contemplation of the traditional Zen story of Hyakujo and the fox (Mumonkan, Case 2), the ghost of Oppenheimer is finally released from his suffering when he encounters Fudô Myô-ô within the fires of Hiroshima. Fudô gives Oppenheimer his sword and snare, so that he can dance for the liberation of all beings from suffering, and in particular the wounds and scars that we all bear as a result of the atomic bombing of Hiroshima.
Text: Allan Marett
Music: Richard Emmert
Direction & Movement: Akira Matsui
Producer: Allan Marett
Close Captioning: English & Japanese
1 October, 2015
Music Workshop
----------------
COPYRIGHT
COMMONWEALTH OF AUSTRALIA
Copyright Regulations 1969
Warning
This material has been reproduced and communicated to you by or on behalf of the University of Sydney persuant to Part VB of the Copyright Act 1968 (the Act).
The material in this communication may be subject to copyright under the Act. Any further reproduction or communication of this material by you may be the subject of copyright protection under the Act.
Видео Oppenheimer - A Noh Play in English канала sydneycon
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