Soul of A Nation: Art In The Age of Black Power 1963-83 at The Broad

"Soul of a Nation: Art in the Age of Black Power shines a bright light on the vital contribution of Black artists made over two revolutionary decades in American history, beginning in 1963 at the height of the civil rights movement. The exhibition examines the influences, from the civil rights and Black Power movements to Minimalism and developments in abstraction, on artists such as Romare Bearden, Barkley Hendricks, Noah Purifoy, Martin Puryear, Faith Ringgold, Betye Saar, Alma Thomas, Charles White, and William T. Williams. Los Angeles-based artists appear throughout Soul of a Nation, and more deeply in three specific galleries, foregrounding the significant role of Los Angeles in the art and history of the civil rights movement and the subsequent activist era, and the critical influence and sustained originality of the city’s artists, many of whom have lacked wider recognition.

Featuring the work of more than 60 influential artists and including vibrant paintings, powerful sculptures, street photography, murals, and more, this landmark exhibition is a rare opportunity to see era-defining artworks that changed the face of art in America." - The Broad

“So what’s is the next step after Soul of a Nation? Is this the beginning of the retrospective for black art movements? Soul of a Nation: Art in the Age of Black Power 1963-1983 was a great insight into the artistic movements that existed during the Black Power era and serves as a visual history. Are era-based retrospectives the best way to understand the African-American contribution to the global art world? As I write this essay I think of what I’ve learned just by observation. The research of artworks allowed me to understand the artists backgrounds, their materials and how their use of them helped to change and develop the practice of art making. “

An excerpt from my research and review essay on Soul of A Nation: Art in the Age of Black Power, 1963-1983 at The Broad Museum.

Photos are a combination of my own and sourced from journalists and publications for this research. All owners retain their copyrights as this is for review purposes only.

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