Richard Tucker & Robert Merrill - Live at Carnegie Hall - 1973

PROGRAM
1) La Gioconda
Act I: “Enzo Grimaldo… O grido di quest’anima”
Richard Tucker & Robert Merrill
0:00

2) L’Africana
Act III: “Adamastor, re delle acque profonde”
Robert Merrill
6:08

3) Don Giovanni
Serenade Act II: “Deh vieni alla finestra”
Robert Merrill
9:39

4) Le nozze di Figaro
Act I: “Non più andrai”
Robert Merrill
11:45

5) Zazà
Act IV: “Zazà, piccolo zingara”
Robert Merrill
14:34

6) Mozart concert aria
“Misero! o sogno, io son desto,” KV431
Richard Tucker
16:27

7) I vespri siciliani
Act III: “E di Monforte il cenno!… Giorno di pianto”
Richard Tucker
25:39

8) Giuseppe Verdi: La forza del destino
Act IV: “Invano, Alvaro… Le minaccie, i fieri accenti”
Richard Tucker & Robert Merrill
32:50

9) Introducing Sir Rudolf Bing
Les pêcheurs de perles
Act I: “Au fond du temple saint”
Richard Tucker & Robert Merrill
41:53

10) L’elisir d’amore
Act II: “Una furtiva lagrima”
Richard Tucker
47:42

11) Otello
Act II: “Credo”
Robert Merrill
52:05

12) Cavalleria rusticana
“Addio alla madre”
Richard Tucker
56:27

13) Andrea Chénier
Act III: “Nemico della patria”
Robert Merrill
1:00:25

14) Various Introductions
Otello
Act II: “Sì, pel ciel”
Richard Tucker & Robert Merrill
1:04:26

ENCORES:
15) Leoncavallo's "Mattinata"
Richard Tucker
1:09:50

16) Abraham Goldfaden (1840-1908) - Sholom Secunda (1894-1974)
“Roshinkes mit mandlen”
Richard Tucker
1:11:59

17) La traviata
Act II: “Di Provenza”
Robert Merrill
1:14:40

18) Fiddler on the Roof
“If I Were a Rich Man”
Robert Merrill
1:18:47

19) La forza del destino
Act III: “Solenne in quest’ora”
Richard Tucker & Robert Merrill
1:23:32

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with George Schick, piano

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This channel is primarily about vocal emission—aural examples of basically correct singing, correct impostazione—chiaroscuro, vowel clarity, firm and centered pitch, correct vibrato action, absence of throatiness or thickness, sounds free from constriction and from the acoustic noise that accompanies it—with occasional video examples that demonstrate what the body, face, mouth, jaw, and tongue look like when used with correct impostazione—the vocal emission of the one and only Italian school.

Caveat: I'm biased in favor of baritones and baritone literature, but if you want to learn about and listen to all the greatest singers in the old-school tradition, explore this spreadsheet (voice parts are separated by tabs): https://bit.ly/2W4qmE3

Видео Richard Tucker & Robert Merrill - Live at Carnegie Hall - 1973 канала Trrill