Tchaikovsky - Hamlet, Op. 67 (1888)
Pyotr Ilyich Tchaikovsky (25 April/7 May 1840 – 25 October/6 November 1893), often anglicized as Peter Ilyich Tchaikovsky, was a Russian composer of the late-Romantic period, some of whose works are among the most popular music in the classical repertoire. He was the first Russian composer whose music made a lasting impression internationally, bolstered by his appearances as a guest conductor in Europe and the United States. Tchaikovsky was honored in 1884, by Emperor Alexander III, and awarded a lifetime pension.
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Hamlet (Overture fantasia), Op. 67 (1888)
Dedication: Edvard Grieg
USSR State Symphony Orchestra conducted by Evgeny Svetlanov
Tchaikovsky wrote the Hamlet overture-fantasia, Op. 67, between June and 19 October 1888, overlapping the scoring of his Fifth Symphony.
The idea of a Hamlet overture had first occurred to Tchaikovsky in 1876, as outlined in his plans in a letter to his brother Modest. At that time, he conceived it in three parts:
1. Elsinore and Hamlet, up to the appearance of his father's ghost
2. Polonius (scherzando) and Ophelia (adagio), and
3. Hamlet after the appearance of the ghost. His death and Fortinbras.
However, by 1888 he had altered these notions. The actor Lucien Guitry asked him to write some incidental music for a production of Shakespeare's play, to which Tchaikovsky agreed. The planned performance was cancelled, but Tchaikovsky decided to finish what he had started, in the form of a concert overture. There is no musical enactment of the events of the play, or even a presentation of the key characters. The work adopts the same scheme he used in his other Shakespeare pieces, the fantasy-overture Romeo and Juliet (1869, revised 1870 and 1880) and the symphonic fantasy The Tempest (1873), in using certain characteristics or emotional situations within the play. The essence of the work is the brooding atmosphere depicting Elsinore, but there is an obvious love theme, and a plaintive melody on the oboe can be seen to represent Ophelia.
What makes "Hamlet" unique from other works of Tchaikovsky fantasy is the lack of a structural development. The standard form of this music has an exposition, a development, and concludes with a recapitulation. Tchaikovsky did not clearly emphasize a development section in "Hamlet."
The Hamlet overture-fantasia was dedicated to Edvard Grieg, whom Tchaikovsky had met in Leipzig in early 1888 on the same occasion that he met Johannes Brahms. He described Grieg as "an extraordinarily charming man".
Видео Tchaikovsky - Hamlet, Op. 67 (1888) канала Bartje Bartmans
Please support my channel:
https://ko-fi.com/bartjebartmans
Hamlet (Overture fantasia), Op. 67 (1888)
Dedication: Edvard Grieg
USSR State Symphony Orchestra conducted by Evgeny Svetlanov
Tchaikovsky wrote the Hamlet overture-fantasia, Op. 67, between June and 19 October 1888, overlapping the scoring of his Fifth Symphony.
The idea of a Hamlet overture had first occurred to Tchaikovsky in 1876, as outlined in his plans in a letter to his brother Modest. At that time, he conceived it in three parts:
1. Elsinore and Hamlet, up to the appearance of his father's ghost
2. Polonius (scherzando) and Ophelia (adagio), and
3. Hamlet after the appearance of the ghost. His death and Fortinbras.
However, by 1888 he had altered these notions. The actor Lucien Guitry asked him to write some incidental music for a production of Shakespeare's play, to which Tchaikovsky agreed. The planned performance was cancelled, but Tchaikovsky decided to finish what he had started, in the form of a concert overture. There is no musical enactment of the events of the play, or even a presentation of the key characters. The work adopts the same scheme he used in his other Shakespeare pieces, the fantasy-overture Romeo and Juliet (1869, revised 1870 and 1880) and the symphonic fantasy The Tempest (1873), in using certain characteristics or emotional situations within the play. The essence of the work is the brooding atmosphere depicting Elsinore, but there is an obvious love theme, and a plaintive melody on the oboe can be seen to represent Ophelia.
What makes "Hamlet" unique from other works of Tchaikovsky fantasy is the lack of a structural development. The standard form of this music has an exposition, a development, and concludes with a recapitulation. Tchaikovsky did not clearly emphasize a development section in "Hamlet."
The Hamlet overture-fantasia was dedicated to Edvard Grieg, whom Tchaikovsky had met in Leipzig in early 1888 on the same occasion that he met Johannes Brahms. He described Grieg as "an extraordinarily charming man".
Видео Tchaikovsky - Hamlet, Op. 67 (1888) канала Bartje Bartmans
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