Ghostface Killah & Adrian Younge – Twelve Reasons to Die II [Full Album + Instrumentals 2015]

http://linearlabs.bandcamp.com/
https://www.youtube.com/user/linearlabsmusic
https://itunes.apple.com/us/album/adrian-younge-presents-twelve/id988967428
Tracklist:
CD 1:
[00:51] 01. Powerful One
[03:12] 02. Return of the Savage (feat. Raekwon & RZA)
[03:31] 03. King of New York (feat. Raekwon)
[02:04] 04. Rise Up (feat. Scarub)
[00:49] 05. Daily News
[04:15] 06. Get the Money (feat. Vince Staples)
[00:36] 07. Death’s Invitation (Interlude) (feat. RZA)
[04:33] 08. Death’s Invitation (feat. Scarub, Lyrics Born & Chino XL)
[01:15] 09. Let the Record Spin (Interlude) (feat. RZA)
[03:13] 10. Let the Record Spin (feat. Raekwon)
[01:55] 11. Blackout (feat. Raekwon)
[02:41] 12. Resurrection Morning (feat. Raekwon & Bilal)
[02:51] 13. Life’s a Rebirth (feat. RZA)
CD 2:
[00:51] 01. Powerful One (Instrumental)
[03:12] 02. Return of the Savage (Instrumental)
[03:31] 03. King of New York (Instrumental)
[02:04] 04. Rise Up (Instrumental)
[00:49] 05. Daily News (Instrumental)
[04:15] 06. Get the Money (Instrumental)
[00:39] 07. Death’s Invitation (Interlude) (Instrumental)
[03:39] 08. Death’s Invitation (Instrumental)
[01:15] 09. Let the Record Spin (Interlude) (Instrumental)
[03:13] 10. Let the Record Spin (Instrumental)
[01:55] 11. Blackout (Instrumental)
[02:41] 12. Resurrection Morning (Instrumental)
[02:50] 13. Life’s a Rebirth (Instrumental)
Twelve Reasons To Die, a groundbreaking concept album conceived and created by Adrian Younge that follows Tony Starks (one of Ghostface Killah’s alter egos), as a soldier for the 12 Delucas, a 1960’s-era Italian crime family. But when Starks leaves the family, an epic story unfolds like a vintage horror film with gangster elements. It’s a gritty story of good verse evil that walks the line of the supernatural accented by Ghostface’s grandiose, vivid storytelling.Sonically, Younge constructs a distinct aural realm for Twelve Reasons To Die. It’s music based on the break, the sonic foundation of hip-hop culture. But Younge traverses new ground by incorporating elements of what a composer would have used while making music in the 1960s: live strings, horns and drums. He also recorded the songs on 2-inch tape, giving each track a sonic heft and depth virtually non-existent in modern music

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