Erik Kessels | Storytelling with vernacular photography
The referent of "found photography", Erik Kessels participates in the program of activities for the XX Anniversary of CENDEAC with a conference entitled 'Storytelling with vernacular photography.
Kessels is a Dutch artist, curator and communication designer, with great interest in art and photography. Over the 20 years of his career, Kessels has come to the fore as a main and unquestionable reference in the field of so-called ‘found photography’. Instead of shooting new images, for most of his projects he brings together pre-existent photographs and reuses them as tiles to form his own mosaic. He is an artist without a camera or even a lens: in his practice, photography is a ready-made element to be sampled and re-contextualised. The result is a sort of eco-system of images, through which nothing is added to the enormous quantity of imagery which now crowds out the world and grows exponentially day by day, but which on the contrary merely recoups and recycles that which is already there.
Another subject of the lecture is the role of images in the time we live in and how you can look at these in other ways than simply consuming them.
#20añosCENDEAC
Spanish version:
https://www.youtube.com/watch?v=3EIuatw4El4
More information:
http://www.cendeac.net/es/actividades/a1025
Follow us:
http://www.cendeac.net/es/
https://twitter.com/CENDEAC?lang=es
https://www.facebook.com/CENDEAC-70389627897/
https://www.instagram.com/cendeac_oficial/?hl=es
Видео Erik Kessels | Storytelling with vernacular photography канала CENDEAC
Kessels is a Dutch artist, curator and communication designer, with great interest in art and photography. Over the 20 years of his career, Kessels has come to the fore as a main and unquestionable reference in the field of so-called ‘found photography’. Instead of shooting new images, for most of his projects he brings together pre-existent photographs and reuses them as tiles to form his own mosaic. He is an artist without a camera or even a lens: in his practice, photography is a ready-made element to be sampled and re-contextualised. The result is a sort of eco-system of images, through which nothing is added to the enormous quantity of imagery which now crowds out the world and grows exponentially day by day, but which on the contrary merely recoups and recycles that which is already there.
Another subject of the lecture is the role of images in the time we live in and how you can look at these in other ways than simply consuming them.
#20añosCENDEAC
Spanish version:
https://www.youtube.com/watch?v=3EIuatw4El4
More information:
http://www.cendeac.net/es/actividades/a1025
Follow us:
http://www.cendeac.net/es/
https://twitter.com/CENDEAC?lang=es
https://www.facebook.com/CENDEAC-70389627897/
https://www.instagram.com/cendeac_oficial/?hl=es
Видео Erik Kessels | Storytelling with vernacular photography канала CENDEAC
Показать
Комментарии отсутствуют
Информация о видео
Другие видео канала
Andrés Jaque | Post-UrbanoMiguel A. Hernández |Tiempos entrelazados: pasados, presentes y futuros por venir en Benjamin y BreaNacho Ruiz | Tercera sesiónErik Kessels | Contar historias con fotografías vernáculasNICOLAS BOURRIAUD | Inclusiones (Estéticas durante el cambio climático)Avelino Marín | Por amor al arteMontse Puig conversa con Pepa GonzálezEntrevista a Miguel Ángel RegoDaneo Flores | Seminario Humanismo y AnimalismoJosep Tornero | La desaparición de las luciérnagasJavier Moscoso | Cuerpos vulnerablesMiriam Martínez AbellánRita Puig-Serra Costa conversa con Gustavo AlemánDaniel Lesmes | Entrevista sobre arte como/y juego entre 1905 y 1933PRESENTACION | Revista Contranarrativas nº2NICOLAS BOURRIAUD | Anthropology of the capitaloceneTeresa CalboMarcos Bote, Juan Manuel Zaragoza y Agustina Varela | Discapacidad, envejecimiento y fragilidadRafael Doctor | Encrucijadas e intersecciones. Las últimas décadas de creación fotográfica en EspañaAntonio Campillo | Entrevista sobre "Peter Pan disecado. Mutaciones políticas de la edad"Jordi Sánchez Navarro | Entrevista sobre 'Cuando no quede sitio en el infierno'