Charley Pride • Country Music Hall of Fame Member • 1934-2020

In the 1960s, Charley Frank Pride became country music’s first Black superstar, lending his honeyed baritone to songs that captivated audiences, broke racial and cultural barriers, and led him to a place in the Country Music Hall of Fame.

Pride’s hit-making heyday lasted from 1966 through the 1980s, but his impact is perpetual. A 2020 recipient of the Country Music Association’s Willie Nelson Lifetime Achievement Award, Pride is an inspiration to generations of performers, a model of quiet dignity and artful fortitude.

Raised in the segregated South as the son of a sharecropper, Charley Frank Pride was born on a cotton farm in Sledge, Mississippi, fifty miles south of Memphis. He spent his childhood laboring in fields, playing baseball, and listening to the Grand Ole Opry on a Philco radio. He bought his first guitar when he was fourteen, and began developing a style of singing that would come to impress his heroes.

“What came from my throat was my voice, no one else’s,” he wrote in his autobiography. “No one had ever told me that whites were supposed to sing one kind of music and blacks another — I sang what I liked in the only voice I had.”

At 16, Pride left Mississippi and played baseball in the Negro American League. He was enamored of Jackie Robinson, who broke Major League Baseball’s color barrier in 1947.

“To say that he was my idol would be an understatement,” Pride said. “As far as I was concerned, Jackie Robinson had rewritten the future.”

Pride never realized his Major League Baseball dreams, but he rewrote country music’s future. His gifts as a singer were greater than his athletic prowess. In 1962, country stars Red Sovine and Red Foley heard Pride singing in Helena, Montana, and encouraged him to come to Nashville. A year later, Pride auditioned in Nashville for manager Jack Johnson, and Johnson was astounded.

Johnson introduced Pride to renegade producer Cowboy Jack Clement. On August 16, 1965, Clement took Pride to RCA’s Nashville studio and recorded demonstration recordings that impressed RCA head man Chet Atkins, who flew to Los Angeles and received approval from the label brass to sign Pride to the label.

Pride’s first single, “Snakes Crawl at Night,” was released in January of 1966. Pride’s race was shielded from country radio disc jockeys until the third single, “Just Between You and Me,” climbed into the country Top Ten. The cover of his gold-selling first album, Country Charley Pride, was the first time many fans discovered that he was Black.

“I get a lot of questions asked me . . . ‘Charley, how’d you get into country music and why you don’t sound like you’re supposed to sound,’” Pride said during a 1968 concert at Panther Hall in Fort Worth, Texas. “It’s a little unique, I admit. But I’ve been singing country music since I was about five-years-old. This is why I sound like I sound.”

Pride responded to discrimination with square-jawed silence, determined that talent would overcome prejudice. His work spoke volumes. He was the CMA’s Entertainer of the Year in 1971, and he scored twenty-nine #1 country hits, including enduring classics “Is Anybody Goin’ to San Antone,” “Kiss an Angel Good Mornin’,” “All I Have to Offer You Is Me,” and “Mountain of Love.” He was named the CMA’s top male vocalist in 1971 and 1972, and was one of RCA’s top-selling artists for decades.

Pride was inducted into the Grand Ole Opry in 1993, seven years before his induction into the Country Music Hall of Fame.
At the Country Music Hall of Fame and Museum’s donation ceremony for Jack Clement’s guitar in 2019 Pride recalled his early recordings. He said that Clement told him, “Charley these songs we’re recording right now, fifty years from now they’re gonna be spinnin’ ‘em.”

It has been more than fifty years, and those songs are still spinning.

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