The Most Disturbing Painting

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. A closer look at Francisco Goya's scariest painting.

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SOURCES

Jay Scott Morgan, "The Mystery of Goya's "Saturn"
New England Review (1990-), Vol. 22, No. 3 (Summer, 2001), pp. 39-43

Robert Hughes, "Goya's Unflinching Eye"
https://www.theguardian.com/artanddesign/2003/oct/04/art.biography

Shana Thompson, Caitlin Hopkins, and Erin England, "The Eighteenth Century Worker: Goya’s Tapestry Cartoons and the Influence of the Enlightenment"
https://eaglefeather.honors.unt.edu/2011/article/125#.WpS21pOpk_V

Jonathan Jones, "Goya in hell: the bloodbath that explains his most harrowing work" https://www.theguardian.com/artanddesign/2015/oct/04/goya-in-hell-national-gallery-portraits

Nigel Glendinning, "The Strange Translation of Goya's 'Black Paintings'
The Burlington Magazine, Vol. 117, No. 868 (Jul., 1975), pp. 464-477+479

John Dowling, "Buero Vallejo's Interpretation of Goya's "Black Paintings"
Hispania, Vol. 56, No. 2 (May, 1973), pp. 449-457

Peter K. Klein, "Insanity and the Sublime: Aesthetics and Theories of Mental Illness in Goya's Yard with Lunatics and Related Works" Journal of the Warburg and Courtauld Institutes, Vol. 61 (1998), pp. 198-252

Hesiod's Theogeny
https://msu.edu/~tyrrell/theogon.pdf

Arthur Lublow, "The Secret of The Black Paintings" NY Times Mag 2003
http://www.nytimes.com/2003/07/27/magazine/the-secret-of-the-black-paintings.html

Juliet Wilson Bareau, "Goya and the X Numbers: The 1812 Inventory and Early Acquisitions of "Goya" Pictures"
https://www.metmuseum.org/pubs/journals/1/pdf/1512979.pdf.bannered.pdf

First mention of The Black Paintings in 1838:
http://hemerotecadigital.bne.es/issue.vm?id=0003102613&page=1&search=el+artista+goya&lang=es

First biography of Goya:
http://hemerotecadigital.bne.es/issue.vm?id=0003646979&page=315&search=el+artista+goya&lang=es

Janet Thomas “Art as a Weapon”-The Enlightenment of Francisco de Goya
https://janetthomas.wordpress.com/2011/11/21/the-enlightenment-of-francisco-de-goya/

Roberta M. Alford, "Goya and the Intentions of the Artist"
The Journal of Aesthetics and Art Criticism, Vol. 18, No. 4 (Jun., 1960), pp. 482- 493
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