Triads on a G7 - The Most Important Solo Tool

You want to know your triads! When you start to play jazz it is easy to get completely lost in extensions, alterations and chord substitutions. And while that is also a part of jazz then it is often much more useful to work on more simple things like what Triads you can use on a dominant chord.

To demonstrate some of triads you can use in a Jazz Blues solo and also talk about different ways to use them I have written a one chorus solo on a Blues in G which will illustrate a lot of options in terms of triad options for a lot of the chords in there.

Download the PDF on my blog: https://jenslarsen.nl/triads-on-a-g7-the-most-important-solo-tool/ 🙂

Content of the video:
0:00 Intro
0:20 Know You Basics
0:30 A Transcribed Blues Solo
1:06 The Blues Solo Example
1:27 Breaking Down The First 4 bars - G7 triad options
1:48 Basic Phrases and why you need them
2:30 How To Improvise Jazz With a Triad
3:41 Licks that lead into the next chord
5:00 Upper-structure Triads and Tri-tone substitution
6:01 C7 and C#dim lines
6:49 Using the Triad from the 7th of G
7:39 How to Make lines with the F major triad
8:21 Bø E7 triad solution
10:02 Am7 D7alt, triad combinations
10:54 Making the triad a motif
12:05 An Overview of the G7 triads
12:54 How To Make lines with the triads and Practice this material
13:42 Like the video? Check out my Patreon Page

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Видео Triads on a G7 - The Most Important Solo Tool канала Jens Larsen