Recreating The Beatles Tones with Clay Blair at Boulevard Recording - Warren Huart
Watch / Listen to the finished song here: http://bit.ly/2IlQouL
J37 Tape emulator: http://bit.ly/2DvsZ6F
Clay Blair is the head engineer and owner of Boulevard Recording in Hollywood–and a huge Beatles fan.
Check out Boulevard Recording:
http://boulevardrecording.com/
https://www.facebook.com/BoulevardRecording/
In this video, Clay set out to capture the tones heard on The Beatles’ Abbey Road; more specifically, those found on “Come Together.” He did so using many of the original instruments, microphones, mic preamps, and miking techniques, like AKG D19s and Chandler REDD.47 valve preamps. The Chandler amps are faithful reproductions of the 47s found in EMI REDD.51 consoles at Abbey Road Studios!
Read more here:
https://producelikeapro.com/blog/recreating-the-beatles-tones-with-clay-blair-at-boulevard-recording/
Unusual by today’s standards, Clay recreated engineer Geoff Emerick’s drum miking techniques which were used on nearly everything from Sgt. Pepper’s to Abbey Road. The setup consisted of a modest 7 microphones: five AKG D19s, a D20, and a Neumann KM 56 (a 54 was used here). One D19 served as an overhead; one was used on the hi-hat; and the remainder were positioned on the bottom of the toms. The D20 was placed on the kick, and the KM 56 miked the snare–also on the bottom! Who are we to argue with Geoff Emerick?
While the recording setup varied slightly from song to song on Abbey Road, “Come Together” was recorded on a 4-track tape machine. The 7 drum tracks would have been summed to a single track with a Fairchild on it, and that was that! There weren’t even any room mics used for the drums. Any room tone heard was actually bleed from the guitar, bass, or vocal microphones. The Beatles, like many great bands of the era, tended to record live as a band, with each member baffled off from the other…far from the isolated performances we tend to capture these days, and yet it sounded incredible! Now, we’ve come to associate the sound of bleed with bands like The Beatles and The Rolling Stones, whether we’re consciously aware of it or not.
Watch / Listen to the finished song here: http://bit.ly/2IlQouL
Sign up here to get exclusive videos and content http://producelikeapro.com
Produce Like A Pro is a website which features great tips to help the beginning recordist make incredible sounding home recordings on a budget.
Видео Recreating The Beatles Tones with Clay Blair at Boulevard Recording - Warren Huart канала Produce Like A Pro
J37 Tape emulator: http://bit.ly/2DvsZ6F
Clay Blair is the head engineer and owner of Boulevard Recording in Hollywood–and a huge Beatles fan.
Check out Boulevard Recording:
http://boulevardrecording.com/
https://www.facebook.com/BoulevardRecording/
In this video, Clay set out to capture the tones heard on The Beatles’ Abbey Road; more specifically, those found on “Come Together.” He did so using many of the original instruments, microphones, mic preamps, and miking techniques, like AKG D19s and Chandler REDD.47 valve preamps. The Chandler amps are faithful reproductions of the 47s found in EMI REDD.51 consoles at Abbey Road Studios!
Read more here:
https://producelikeapro.com/blog/recreating-the-beatles-tones-with-clay-blair-at-boulevard-recording/
Unusual by today’s standards, Clay recreated engineer Geoff Emerick’s drum miking techniques which were used on nearly everything from Sgt. Pepper’s to Abbey Road. The setup consisted of a modest 7 microphones: five AKG D19s, a D20, and a Neumann KM 56 (a 54 was used here). One D19 served as an overhead; one was used on the hi-hat; and the remainder were positioned on the bottom of the toms. The D20 was placed on the kick, and the KM 56 miked the snare–also on the bottom! Who are we to argue with Geoff Emerick?
While the recording setup varied slightly from song to song on Abbey Road, “Come Together” was recorded on a 4-track tape machine. The 7 drum tracks would have been summed to a single track with a Fairchild on it, and that was that! There weren’t even any room mics used for the drums. Any room tone heard was actually bleed from the guitar, bass, or vocal microphones. The Beatles, like many great bands of the era, tended to record live as a band, with each member baffled off from the other…far from the isolated performances we tend to capture these days, and yet it sounded incredible! Now, we’ve come to associate the sound of bleed with bands like The Beatles and The Rolling Stones, whether we’re consciously aware of it or not.
Watch / Listen to the finished song here: http://bit.ly/2IlQouL
Sign up here to get exclusive videos and content http://producelikeapro.com
Produce Like A Pro is a website which features great tips to help the beginning recordist make incredible sounding home recordings on a budget.
Видео Recreating The Beatles Tones with Clay Blair at Boulevard Recording - Warren Huart канала Produce Like A Pro
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