Improvisation around 1600 - Introduction
For the footnotes and other extra information see the following link:
http://www.earlymusicsources.com/youtube/impro1600
Created by Elam Rotem
http://www.earlymusicsources.com
Many thanks to Jörg-Andreas Bötticher, Anne Smith, and Alon Schab
Support us on PATERON: https://www.patreon.com/earlymusicsources
Support us by getting an Awesome T-shirt: https://pro.teechip.com/stores/earlymusicsources
Видео Improvisation around 1600 - Introduction канала Early Music Sources
http://www.earlymusicsources.com/youtube/impro1600
Created by Elam Rotem
http://www.earlymusicsources.com
Many thanks to Jörg-Andreas Bötticher, Anne Smith, and Alon Schab
Support us on PATERON: https://www.patreon.com/earlymusicsources
Support us by getting an Awesome T-shirt: https://pro.teechip.com/stores/earlymusicsources
Видео Improvisation around 1600 - Introduction канала Early Music Sources
Показать
Комментарии отсутствуют
Информация о видео
Другие видео канала
![The Romanesca](https://i.ytimg.com/vi/esObNllIA14/default.jpg)
![Consonances according to Tomás de Santa María](https://i.ytimg.com/vi/oIMNTMreIig/default.jpg)
![Falsobordone, the Miserere of Allegri, and a most bizarre musicological error](https://i.ytimg.com/vi/j9y5N13un9s/default.jpg)
![Countertenors - Things you didn't know!](https://i.ytimg.com/vi/RLfsUtxvneg/default.jpg)
![Solmization and the Guidonian hand in the 16th century](https://i.ytimg.com/vi/IRDDT1uSrd0/default.jpg)
![](https://i.ytimg.com/vi/WFuYoCXxQzI/default.jpg)
![Jan Pieterszoon Sweelinck - Hexachord Fantasia](https://i.ytimg.com/vi/GUF-Ldnd0D4/default.jpg)
![Cipriano de Rore: Amor ben mi credevo - Analysis](https://i.ytimg.com/vi/l7hDhMGIfII/default.jpg)
![Gregorian chant](https://i.ytimg.com/vi/QuRrd35kvUo/default.jpg)
![How (not) to produce an opera in 1720s Venice](https://i.ytimg.com/vi/TH-mARFU2EY/default.jpg)
![Tactus and Proportions around 1600](https://i.ytimg.com/vi/otgXoa8QEWg/default.jpg)
![Maffei’s letter on learning how to sing diminutions without a teacher (1562)](https://i.ytimg.com/vi/eT4N70g-rJ8/default.jpg)
![Aspects in Early 17th-century Monodies](https://i.ytimg.com/vi/jVX3K9zCMMI/default.jpg)
![Emilio de’ Cavalieri’s mysterious enharmonic passage](https://i.ytimg.com/vi/-tyIvhv1hc0/default.jpg)
![Italian Basso Continuo 1650-1700](https://i.ytimg.com/vi/OObAfpmUods/default.jpg)
![Tutorial: Acciaccature & Mordenti according to Gasparini](https://i.ytimg.com/vi/TH6R-md5To4/default.jpg)
![Just intonation in the Renaissance](https://i.ytimg.com/vi/XhY_7LT8eTw/default.jpg)
![How to improvise polyphony in four voices according to Santa María](https://i.ytimg.com/vi/vpfoiwU4rDI/default.jpg)
![Stretto fuga - How to make a masterpiece out of two intervals](https://i.ytimg.com/vi/zGZjzBvXCzg/default.jpg)
![Vocal vibrato 1500-1700](https://i.ytimg.com/vi/7viQNYJ4sac/default.jpg)