The First 180° Video Lens - Canon RF 7-14mm Fisheye on R6 III vs R5C

Canon NEW RF 7-14mm Fisheye - the first fisheye lens supported by EOS VR Utility. Full image quality comparison vs the $30,000 URSA Cine Immersive, R6 Mark III vs R5C, C50 sensor coverage test, best shooting settings, and complete workflow from Canon RAW to YouTube VR and Apple Vision Pro.

📝 Can't see the sharpness difference on YouTube VR? Full-resolution comparison images here. Prefer reading over watching? Full article writeup too: [Link is coming]
🔗 Hugh Hou Spatial Injector v1.3 (FREE): https://www.patreon.com/posts/hugh-hou-spatial-152617939

⏱ CHAPTERS
00:00 — Canon RF 7-14mm Fisheye Lens Review for 180 Video
02:00 — Image quality: Canon R6 III vs URSA Cine Immersive ($4,700 vs $30,000)
03:12 — What is OLPF and why your Canon image looks softer
04:04 — RGBW vs Bayer sensor: why the URSA Cine Immersive is sharper
06:30 — Close-up shallow depth of field in immersive 180°
07:15 — Why 2D 180° is more comfortable in close-up than 3D in XR headsets (vergence-accommodation conflict)
08:00 — Equidistant projection: why this is the first true 180° VR lens
09:00 — Which Canon camera: R6 III vs R5C vs C50 vs R5
09:27 — Why I pick R6 Mark III for Canon RF 7-14mm Fisheye
10:37 — Canon RF 7-14mm at 7mm vs 10mm: Sensor Coverage for 180 Video
11:51 — Canon RF 7-14mm on Canon R5C
12:30 — RAW vs XF-HEVC MP4: the only format for immersive content
12:47 — Open Gate vs 8K 60fps: which setting matters more
13:32 — Best shooting settings for Canon RF 7-14mm 180° video
13:53 — EOS VR Utility workflow: RAW development to export
14:54 — DaVinci Resolve editing for 180° video
15:20 — Export settings for YouTube VR and Apple Vision Pro
15:48 — Hugh Hou Spatial Injector: free metadata tool for Canon 180°
16:29 — How to Inject 180 Metadata for Apple Vision Pro APMP
17:28 — Why immersive filmmaking is AI-proof

In this tutorial, I compare the Canon RF 7-14mm F2.8-3.5L Fisheye STM on the Canon EOS R6 Mark III against the Blackmagic URSA Cine Immersive to test real-world image quality for 180° immersive video production. I explain why the R6 III image appears softer than the URSA (optical low-pass filter and RGBW sensor technology), demonstrate close-up shallow depth of field in immersive 180° that is not possible on any stereoscopic 3D camera system, and test the R5C, R5, and C50 to find the best Canon camera and shooting settings for this new fisheye lens.

The complete workflow covers Canon Fisheye processing in EOS VR Utility v1.9, editing in DaVinci Resolve with VR180 preview, export settings for maximum quality, and publishing to YouTube VR and Apple Vision Pro using the free Hugh Hou Spatial Injector v1.3 with support for Canon monoscopic 180° video and APMP conversion.

This entire video is presented in 180° immersive format. View it on Meta Quest, Apple Vision Pro, Samsung Galaxy XR, or YouTube VR for the full experience.

🎥 GEAR USED (Affiliated Links AKA Kimchi Chicken Treat Fund)
Canon RF 7-14mm F2.8-3.5L Fisheye STM Lens: https://bhpho.to/4lnfMDx | https://amzn.to/40qHbdZ
Canon EOS R6 Mark III: https://bhpho.to/4bj8sEh | https://amzn.to/4b2WqQy
Canon EOS C50: https://bhpho.to/4un5mI5 | https://amzn.to/4lonEV5
Canon EOS R5C: https://bhpho.to/3JHGK4g
Laowa 8-15mm T2.9 FF Zoom Fisheye Cine Lens (ARRI PL): https://bhpho.to/4syUs04
Canon Drop-In Variable ND Filter: https://bhpho.to/47uEyvB
Canon Drop-In Circular Polarizing Filter(CPL): https://bhpho.to/46WoJxA
Canon RF 5.2mm f/2.8 L Dual Fisheye 3D VR Lens: https://bhpho.to/3Hs1qwj

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Видео The First 180° Video Lens - Canon RF 7-14mm Fisheye on R6 III vs R5C канала Hugh Hou