How I Didn't Win the TMS Productions Editing Challenge
A few weeks ago @TMS Productions hosted an editing challenge for the Land Rover Evoque commercial.
I had one guy DM me on Instagram asking to do a breakdown of my edit, so here it is. This video is a long, so here's them timestamps for things you may find interesting are down below.
Check out my roadtrip video:
https://www.youtube.com/watch?v=pf7_9M8c5B4
Timestamps:
0:00 - The Edit Itself
0:59 - Intro
2:14 - Timeline Overview
3:54 - Approach and Style Choice
4:24 - Fluidity in Motion
5:05 - First Transitions
6:00 - Fusion Overview
7:10 - Instagram Frame Rate Tip
7:38 - Shot Reversal. I can't tell TMS guys apart :(.
8:08 - Worst shot in the video and how I covered it up
9:30 - Stabilization
9:52 - Making Mavic tracking shots more Dynamic
10:30 - Flash cuts, headphone warning
10:46 - Nice
11:03 - Making more Mavic shots more Dynamic
11:50 - Second group of flash cuts
12:09 - Headlight to cloud transition and secret technique
13:35 - Converting Mavic to Helicopter shot, Fusion
14:20 - Converting Mavic to FPV-esque shot
15:31 - No one will notice tiny issues
16:06 - Final sexy transitions, mic dies :(
17:38 - More flash cuts
18:15 - VFX sequence, final shot
18:57 - Color Grading Overview
20:22 - Interior, skin tones, dynamic range
21:11 - Mavic Pro Log Workflow, matching cameras
21:59 - GoPro Workflow
23:19 - VFX grading
23:42 - Visual Effects Overview (After Effects)
24:00 - 3D-Tracked Clouds
25:05 - How to make your clouds look real in the scene
26:54 - The worst shot, AE part
27:57 - Tail Light 3D tunnel
31:22 - Engine Flash Cuts Sequence
24:28 - Headlight Tunnel and Ending
35:12 - Controlled Fake Motion Blur
35:49 - Cross Dissolve
36:00 - Editing fuckup, welp I'm not reuploading this
36:16 - Sound Design Overview, Logic
36:44 - Sound Design Without Music
37:49 - Fluidity in Motion (but in sound)
39:06 - EDM Reverse Reverb Trick
40:12 - Importance of Panning
40:50 - Matching audio to environment with reverb
41:42 - Machinery, lens flare metal slice
42:02 - Wind in the tunnels
42:20 - EQ and frequency conflicts
43:28 - Interior (underwater) effect
44:22 - Outro
Видео How I Didn't Win the TMS Productions Editing Challenge канала Max Rovensky
I had one guy DM me on Instagram asking to do a breakdown of my edit, so here it is. This video is a long, so here's them timestamps for things you may find interesting are down below.
Check out my roadtrip video:
https://www.youtube.com/watch?v=pf7_9M8c5B4
Timestamps:
0:00 - The Edit Itself
0:59 - Intro
2:14 - Timeline Overview
3:54 - Approach and Style Choice
4:24 - Fluidity in Motion
5:05 - First Transitions
6:00 - Fusion Overview
7:10 - Instagram Frame Rate Tip
7:38 - Shot Reversal. I can't tell TMS guys apart :(.
8:08 - Worst shot in the video and how I covered it up
9:30 - Stabilization
9:52 - Making Mavic tracking shots more Dynamic
10:30 - Flash cuts, headphone warning
10:46 - Nice
11:03 - Making more Mavic shots more Dynamic
11:50 - Second group of flash cuts
12:09 - Headlight to cloud transition and secret technique
13:35 - Converting Mavic to Helicopter shot, Fusion
14:20 - Converting Mavic to FPV-esque shot
15:31 - No one will notice tiny issues
16:06 - Final sexy transitions, mic dies :(
17:38 - More flash cuts
18:15 - VFX sequence, final shot
18:57 - Color Grading Overview
20:22 - Interior, skin tones, dynamic range
21:11 - Mavic Pro Log Workflow, matching cameras
21:59 - GoPro Workflow
23:19 - VFX grading
23:42 - Visual Effects Overview (After Effects)
24:00 - 3D-Tracked Clouds
25:05 - How to make your clouds look real in the scene
26:54 - The worst shot, AE part
27:57 - Tail Light 3D tunnel
31:22 - Engine Flash Cuts Sequence
24:28 - Headlight Tunnel and Ending
35:12 - Controlled Fake Motion Blur
35:49 - Cross Dissolve
36:00 - Editing fuckup, welp I'm not reuploading this
36:16 - Sound Design Overview, Logic
36:44 - Sound Design Without Music
37:49 - Fluidity in Motion (but in sound)
39:06 - EDM Reverse Reverb Trick
40:12 - Importance of Panning
40:50 - Matching audio to environment with reverb
41:42 - Machinery, lens flare metal slice
42:02 - Wind in the tunnels
42:20 - EQ and frequency conflicts
43:28 - Interior (underwater) effect
44:22 - Outro
Видео How I Didn't Win the TMS Productions Editing Challenge канала Max Rovensky
Показать
Комментарии отсутствуют
Информация о видео
Другие видео канала
Why I'm Building a Lightroom Replacement - Part 1 - CatalogingVirtual Production at Home with an iPhone and TV - Unreal EngineAlchemy EDM/Big Room Layering (iPad GarageBand / Logic Pro X)How to Make a DIY Cinema Lens Set under $1000How to Actually Shoot Apple LogMalaysia - The 2020 Road TripiPad Garage Band - Dark Progressive HouseFree DIY Pro SSD Mag Recording System for Any CameraPsy Trance Attempt | Garage Band iPadHow to Color Grade HDR for Instagram Reels | ANY CAMERAYouTubers Are Running Out of MusicSANTORINI // AnamorphicProduct Commercial with Unreal Engine, iPhone and TV - Virtual ProductionI'm Building a Lightroom Replacement - IntroductionHow to Build a YouTube Studio in Your Living RoomHow I Didn't Win the Sam Newton Editing ChallengeMY YEAR 2021 | MAX R.Every Tech Podcast Intro EverCappadocia - FPV & DJI Air 2SKSHMR - Game of Thrones (GarageBand iPad Remake / Logic Pro X)