Untitled. The museum and the problem of labels
Untitled. The museum and the problem of labels
Discussion
Venue: Italian Court, Main Building (Volkhonka 12)
"A museum is a place for experimentation with new connections"
Harald Seemann
The processes that have taken place in art museums in the second half of the 20th and early 21th centuries have led to an incredible expansion in the audience interest in art, a polyphonic, participatory, and multiple readings of the art message. Under these conditions, what happens to the conventional museum label? Why are some exhibitions not signed with the names of authors and works of art at all? Who makes fun of memes about art history expletives? And what does the public think about all of this? We discuss these and other questions with exhibition authors, museums, and independent curators.
Participants:
Dr. James Bradburne, Director of Pinacoteca Brera, Milan
Dr. Sylvia Lahav, Lecturer at Goldsmiths College, University of London, London
Dr. Reinhard Spieler, Director of the Sprengel Museum, Hannover
Jean-Hubert Martin, curator, co-founder, National Museum of Modern Art — Centre Pompidou, Paris
Alexandra Danilova, Head of European and American Art of the 19th-20th Centuries department, Moscow
Moderator:
Evgeniya Kiseleva, curator of the festival, Head of Access and Inclusion department at the Pushkin State Museum of Fine Arts, Moscow
Additional information: inclusion@arts-museum.ru
The Pushkin Museum would like to thank the 'Absolute-Help' Charitable Foundation, the 'Svet' Foundation, and the chairman of the foundation's general meeting, Alexander Svetakov, for help with the 'Accessible Museum' program. The organizers express appreciation to the Italian Embassy in Russia, the German Embassy in Russia and the Austrian Cultural Forum.
Видео Untitled. The museum and the problem of labels канала ГМИИ им. А.С. Пушкина
Discussion
Venue: Italian Court, Main Building (Volkhonka 12)
"A museum is a place for experimentation with new connections"
Harald Seemann
The processes that have taken place in art museums in the second half of the 20th and early 21th centuries have led to an incredible expansion in the audience interest in art, a polyphonic, participatory, and multiple readings of the art message. Under these conditions, what happens to the conventional museum label? Why are some exhibitions not signed with the names of authors and works of art at all? Who makes fun of memes about art history expletives? And what does the public think about all of this? We discuss these and other questions with exhibition authors, museums, and independent curators.
Participants:
Dr. James Bradburne, Director of Pinacoteca Brera, Milan
Dr. Sylvia Lahav, Lecturer at Goldsmiths College, University of London, London
Dr. Reinhard Spieler, Director of the Sprengel Museum, Hannover
Jean-Hubert Martin, curator, co-founder, National Museum of Modern Art — Centre Pompidou, Paris
Alexandra Danilova, Head of European and American Art of the 19th-20th Centuries department, Moscow
Moderator:
Evgeniya Kiseleva, curator of the festival, Head of Access and Inclusion department at the Pushkin State Museum of Fine Arts, Moscow
Additional information: inclusion@arts-museum.ru
The Pushkin Museum would like to thank the 'Absolute-Help' Charitable Foundation, the 'Svet' Foundation, and the chairman of the foundation's general meeting, Alexander Svetakov, for help with the 'Accessible Museum' program. The organizers express appreciation to the Italian Embassy in Russia, the German Embassy in Russia and the Austrian Cultural Forum.
Видео Untitled. The museum and the problem of labels канала ГМИИ им. А.С. Пушкина
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