W. A. Mozart - KV 427 (417a) & KV 417B - Mass in C minor (complete)

The sections are:
* Kyrie (KV 427)
- Solo e coro (Andante moderato) Kyrie eleison / Soprano I, SATB (0:00)
* Gloria (KV 427)
- Coro (Allegro vivace) Gloria in excelsis Deo / SATB (7:11)
- Aria (Allegro aperto) Laudamus te / Soprano II (9:29)
- Coro (Adagio) Gratias agimus tibi / SSATB (14:19)
- Duetto (Allegro moderato) Domine Deus / Sopranos I & II (15:33)
- Coro (Largo) Qui tollis peccata mundi / SATB, SATB (18:15)
- Terzetto (Allegro) Quoniam tu solus Sanctus / Sopranos, Tenor (22:34)
- Coro (Adagio) Jesu Christe - Cum sancto spiritu / SATB (26:10)
* Credo
- Coro / KV 427 (Allegro maestoso) Credo in unum Deum / SSATB (31:21)
- Aria / KV 427 (-) Et incarnatus est / Soprano I (34:36)
- Coro / KV 417B No. 1 Crucifixus etiam pro nobis / SATB (44:04)
- Coro / KV 417B No. 2 Et resurrexit tertia die / SSATB (48:13)
- Aria / KV 469 Et in Spiritum Sanctum / Tenor (50:49)
- Coro / KV 417B No. 3 Et unam sanctam / SATB (54:42)
- Coro / KV 417B No. 4 Et vitam venturi saeculi / SATB, SATB (57:00)
* Sanctus (KV 427)
- Coro (Largo - Allegro comodo) Sanctus Dominus Deus / SATB, SATB (59:54)
- Quartetto (Allegro comodo) Benedictus qui venit / SSTB (1:03:20)
* Agnus Dei
- Aria / KV 469 (Andante - Allegro) Agnus Dei qui tollis / Soprano II (1:08:28)
- Soli e Coro / KV 417B No. 6 Dona nobis pacem / SSTB, SATB (1:12:51)

Composed in Vienna between Summer 1782 and May 1783. Performed unfinished at St. Peter's in Salzburg on October 26, 1783. Completed by Robert Levin using 5 of the 6 fragments KV 417B and 2 numbers from Davidde Penitente KV 469. Mozart indeed re-used the music of the mass to compose the cantata Davidde Penitente in 1785, except for 2 arias. In a reverse borrowing process, Pr. Levin used these 2 "newly" composed arias to complete the mass.

http://en.wikipedia.org/wiki/Great_Mass_in_C_minor

Performers: Diana Damrau, soprano; Julianne Banse, soprano; Lothar Odinius, tenor; Markus Marquardt, bass; Gächinger Kantorei, choir; Bach Collegium, conducted by Helmut Rilling.

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