ಅಬ್ಬಾ! ಅದೆಷ್ಟು ಅಬ್ಬರದ Acting; Yakshagana Prasanga Jwala Prathapa @ Hangarakatte Kala Kendra

Yakshagana is a traditional theatre, developed in Dakshina Kannada, Udupi, Uttara Kannada, Shimoga and western parts of Chikmagalur districts, in the state of Karnataka and in Kasaragod district in Kerala that combines dance, music, dialogue, costume, make-up, and stage techniques with a unique style and form. It is believed to have evolved from pre-classical music and theatre during the period of the Bhakti movement. It is sometimes simply called "Aata" or āṭa. This theatre style is mainly found in coastal regions of Karnataka in various forms. Towards the south from Dakshina Kannada to Kasaragod of Tulu Nadu region, the form of Yakshagana is called Thenku thittu and towards the north from Udupi up to Uttara Kannada it is called Badaga thittu. Both of these forms are equally played all over the region. Yakshagana is traditionally presented from dusk to dawn. Its stories are drawn from Ramayana, Mahabharata, Bhagavata and other epics from both Hindu and Jain and other ancient Indic traditions.
Yakshagāna literally means the song of the yaksha (nature spirits). Yakshagana is the scholastic name in Kannada (used for the last 200 years) for art forms formerly known as kēḷike, āṭa, bayalāṭa, and daśāvatāra. The word Yakshagana previously referred to a form of literature primarily in Kannada. Of late Yakshaganas in Tulu and even now in Telugu are available. Performance of this Yakshagana literature or the play is called āṭa. It is now no longer believed that the word Ekkalagaana refers to Yakshagana.
Yakshagana has a separate tradition of music, separate from Karnataka Sangeetha and the Hindustani music of India. Yakshagana and Karnatak Sangeetha may have a common ancestor are not decedents of one another.
A typical Yakshagana performance consists of background music played by a group of musicians (known as a himmela); and a dance and dialogue group (known as the mummela), who together enact poetic epics on stage. The himmela is made up of a lead singer (bhagawatha)—who also directs the production—and is referred to as the "first actor" (modalane vesha). Additional himmela members are players of traditional musical instruments, such as the maddale (hand drum), the pungi (pipe), the harmonium (organ), and the chande (loud drums). The music is based on ragas, which are characterised by rhythmic patterns called mattu and tala.
A Yakshagana(ಯಕ್ಷಗಾನ) performance typically begins in the twilight hours, with an initial beating of the drums of several fixed compositions, called abbara or peetike. This may last for up to an hour before the actors finally arrive on the stage. The actors wear resplendent costumes, head-dresses, and face paints.
A performance usually depicts a story from the "Kavya" (epic poems) and the "Puranas" (ancient Hindu texts). It consists of a story teller (the bhagawatha) who narrates the story by singing (which includes prepared character dialogues) as the actors dance to the music, portraying elements of the story as it is being narrated. All components of Yakshagana—including the music, the dance, and the dialogue—are improvised. Depending on the ability and scholarship of the actors, there will be variations in dances as well as the amount of dialogue. It is not uncommon for actors to get into philosophical debates or arguments without falling out of character. The acting in Yakshagana can be best categorised as method acting. The performances have drawn comparison to the Western tradition of opera. Traditionally, Yakshagana will run through dusk to dawn.
Yakshagana is popular in the districts of Dakshina Kannada, Kasaragod, Udupi, Uttara Kannada, Shimoga and western parts of Chikkamagaluru .
Yakshagana can refer to a style of writing, as well as the written material itself. It was probably used for poems enacted in bayalaata (or open theatre drama), such as the ballads of Koti and Chennayya. Yakshagana in its present form is believed to have been strongly influenced by the Vaishnava Bhakti movement. Yakshagana was first introduced in Udupi by Madhvacharya's disciple Naraharitirtha. Naraharitirtha was the minister in the Kalinga Kingdom. He also was the founder of Kuchipudi.
The first written evidence regarding Yakshagana is found on an inscription at the Lakshminarayana Temple in Kurugodu, Somasamudra, Bellary District, and is dated 1556 CE. A copy is available at the University of Madras.
Yakshagana bears some resemblance to other members of the 'traditional theatre family:' Ankhia Nata (found in Assam); Jathra (in Bengal); Chau (Bihar, Bengal); Prahlada Nata (Orissa); Veedhinatakam & Chindu (Andhra); Terukoothu Bhagawathamela (Tamil Nadu), and Kathakali (Kerala). However, some researchers have argued that Yakshagana is markedly different from this group.
Courtesy:- Wikipedia
Here in this Video, you can see dance of a pair who love each other in Yakshagana Prasanga Jwala Prathapa in Hangarakatte Yakshagana Kala Kendra, Saligrama.
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