Best Lenses for Landscape Photography

We look at the best 3 lenses, their focal lengths and how they will help your landscape photography.

Buy the Canon 16-35mm in the UK - https://amzn.to/2zh6qWz
Buy the Canon 16-35mm in the US - https://amzn.to/2m1PUjL

Buy the Tamron 24-70mm in the UK - https://amzn.to/2KEzdcK
Buy the Tamron 24-70mm in the US - https://amzn.to/2J3lLcZ

Buy the Canon 70-200mm in the UK - https://amzn.to/2MXNxtA
Buy the Canon 70-200mm in the US - https://amzn.to/2m20U0i

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Today we are going to talk about the best lenses for landscape photography. There are not many surprises here, we’re talking about the holy trinity but I thought you’d find it useful if we talk about each lens and look at why and when we might use a particular lens and how that’s going to effect our landscape photography.

I am really keen for us all to start thinking about landscape as an art rather than a technical exercise and this is true with our lens choice too. The lens you choose for a particular image will tell the story differently so I think it’s important to understand why we are choosing a particular tool to create that narrative.

Wide Angle

Canon 16-35mm f/4 IS

I chose this lens over the more expensive 2.8 because it’s still has great image quality, it’s lighter and it has IS which helps me for video.

What this lets us do is to open up our field of vision and capture much more in the frame. It particularly lets us tell the story about relationship between the foreground and the background. This can be used creatively where we can get nice and close to our foreground and fill the compositions with it. A great example of this is rocks on a beach or a craggy mountain. When we do this be aware that the background will appear much smaller so a huge background is required. A sky full of colour or interesting clouds is perfect for seascapes or huge dominant mountains are also big enough to fill the background and look great. There are also times when you physically can’t move any further back and the wide angle still lets you get everything in…..caves are an example of this.

An important point to note, and something people often get wrong, it that focal length does not change perspective. A normal rectilinear wide angle lens does not cause perspective distortion. It increases the field of view but perspective is only controlled by the relationship between the camera itself and the subject.

Tamron 24-70mm

If I could only have one lens it would be definitely this one. This particular one is really decent, probably to the standard of the original Canon lens but the IS makes it great for video. Once Canon release a 2.8 version with IS then I will upgrade.

This focal range is just so useable and it’s why most kit lenses hit roughly this range. 24mm is plenty wide enough for the majority of occasions and 70mm can still get you in pretty close. It’s a perfect walk around lens for handheld shots and you’ll find yourself using the full focal range at some point or other.

Not much more to say about this one. The focal length of our eyes fit into this range and I think most of us instinctively know what to do with this range.

Canon 70-200mm F/4

Canon has four lenses in this focal range so it can become quite confusing. This is the version without IS which I don’t need for landscapes and it is also relatively small and light. I use the 2.8 IS II when I photograph weddings……it’s probably my overall favourite lens but it’s just so heavy and completely impractical for landscape photography.

Now the 70-200mm range is really interesting for landscape photography. It lets us stand in front of a scene and really pull out the interesting elements. Get close in on the interesting light, the distant detail and essentially create a portrait of the landscape. It gives us control of the story too. When we are stood in a landscape, we see the whole thing with our eyes but it might just be the one distant element evoking the emotion in you. If you were to photograph this with a wide angle all the other irrelevant parts of the scene would enter the scene and distract the viewer from what you are trying to show them. You are the story teller and the viewer does not always need to know what is just out of the frame. Often a really good image would hint towards this anyway and spark the viewers imagination to fill in around the frame anyway.

There are also only so many amazing vistas in the world and we’re getting to the point now where they have all been shot in great light. This lens though gives us more room to be creative and capture something truly unique.

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