The Music Theory Of Jacob Collier

What does Grammy-winning composer Jacob Collier have to do with a 19th-century music theory fight? Are perfect fourths the minor version of perfect fifths? Is a minor triad just an upside-down major one, and if so how do we account for the other differences between them? And how did answering those questions lead us to the birth of functional harmony? Buckle up, this one's a wild ride.

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Last: https://youtu.be/-GeR8XbFxvI
Circle of Fifths video: https://youtu.be/LU4K0fa6oj4
Overtones video: https://youtu.be/Q8ITu0EASL4
Neo-Riemannian Theory video: https://youtu.be/_VxN4rnOpho

SOURCES:
http://www.musictheory21.com/documents/readings-in-music-theory/klumpenhouwer-dualist-tonal-space-pp.456-476.pdf
https://youtu.be/DnBr070vcNE
https://youtu.be/b78NoobJNEo
https://youtu.be/eRkgK4jfi6M
Script: https://docs.google.com/document/d/1a9UvjwT4ruQlBDeql6BoqcyVDOW72BO2apfgY41Jusw/edit?usp=sharing

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Also, thanks to Jareth Arnold and Jade Tan-Holmes for proofreading the script to make sure this all makes sense hopefully!

Видео The Music Theory Of Jacob Collier канала 12tone