Dvořák - Piano Quintet in A major - Lugansky . Repin . Boriso-Glebsky . Girdchuk . Ferrández
Antonín Dvořák (1841-1904)
Piano Quintet in A major, Op. 81 (1888)
Nikolay Lugansky, piano
Vadim Repin, violin
Nikita Boriso-Glebsky, violin
Andrey Gridchuk, viola
Pablo Ferrández, cello
2018, from Moscow Philharmonic Society
[0:00] I. Allegro ma non tanto
[14:48] II. Dumka. Andante con moto - Un pochettino più mosso 17:36 - Vivace 22:05 - Un pochettino più mosso 24:22
[29:08] III. Scherzo (Furiant). Molto vivace - Trio. Poco tranquillo 30:42
[33:15] IV. Finale. Allegro
“Dvořák explained in the preface to his Dumky Trio, that the untranslatable word dumka was of Ukrainian origin and had its roots in melancholy poetry. More specifically, a dumka was a kind of lament that had to be followed by a dance or else its true nature could not be felt. His music shows this understanding to perfection in the alternation of contrasting slow and fast sections, a combination to be found in the folk music of his native Czechoslovakia. In this dumka, the F-sharp minor opening melody suggests a lament, but with the typical Slavic rapid mood change it soon gives way to a cheerful D major melody. The main contrast to the lament “refrain,” however, arrives with the outbreak of the vivace section whose theme Dvořák derived from the Dumka’s opening. “
- Linton Chamber Music
Видео Dvořák - Piano Quintet in A major - Lugansky . Repin . Boriso-Glebsky . Girdchuk . Ferrández канала Enchanted Wanderer
Piano Quintet in A major, Op. 81 (1888)
Nikolay Lugansky, piano
Vadim Repin, violin
Nikita Boriso-Glebsky, violin
Andrey Gridchuk, viola
Pablo Ferrández, cello
2018, from Moscow Philharmonic Society
[0:00] I. Allegro ma non tanto
[14:48] II. Dumka. Andante con moto - Un pochettino più mosso 17:36 - Vivace 22:05 - Un pochettino più mosso 24:22
[29:08] III. Scherzo (Furiant). Molto vivace - Trio. Poco tranquillo 30:42
[33:15] IV. Finale. Allegro
“Dvořák explained in the preface to his Dumky Trio, that the untranslatable word dumka was of Ukrainian origin and had its roots in melancholy poetry. More specifically, a dumka was a kind of lament that had to be followed by a dance or else its true nature could not be felt. His music shows this understanding to perfection in the alternation of contrasting slow and fast sections, a combination to be found in the folk music of his native Czechoslovakia. In this dumka, the F-sharp minor opening melody suggests a lament, but with the typical Slavic rapid mood change it soon gives way to a cheerful D major melody. The main contrast to the lament “refrain,” however, arrives with the outbreak of the vivace section whose theme Dvořák derived from the Dumka’s opening. “
- Linton Chamber Music
Видео Dvořák - Piano Quintet in A major - Lugansky . Repin . Boriso-Glebsky . Girdchuk . Ferrández канала Enchanted Wanderer
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